Witness an epic, heart-rending journey of the soul, as Opera North, Phoenix Dance Theatre, Jazzart Dance Theatre and Cape Town Opera combine for a powerful performance. Filmed at Leeds Grand Theatre, this unforgettable contemporary dance staging of Mozart’s great choral lament is choreographed by Dane Hurst and conducted by Garry Walker. Featuring soloists Ellie Laugharne, Ann Taylor, Mongezi Mosoaka and Simon Shibambu alongside the Chorus and Orchestra of Opera North.
A statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of the Night. In the urban night, she encounters mysterious figures that disappear like shadows. Freely inspired by characters from Mozart's opera, The Magic Flute.
该片以现代欧洲为背景，讲述17岁的歌手蒂姆·沃克(沃尔夫饰)从伦敦前往奥地利阿尔卑斯山就读传奇的莫扎特寄宿学校。在那里，他发现了一条被遗忘了几个世纪的通道，可以进入了莫扎特“魔笛”的梦幻世界。
A young woman isolated by her fear of the inevitable finds solace in an unlikely digital companion, forcing her to reevaluate her life, her relationships, and herself.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
A quirky high school girl has to learn that you can't fit friendship into a checkbox.
Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.
Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems… Tamino and Papageno discover Sarastro is a wise and kind leader. They undergo three ordeals. By the end they are united with their true loves: Tamino with Pamina, and Papageno with his Papagena.
How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.
Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.
剧作家彼得·谢弗的传世巨作《莫扎特传》以宫廷乐师萨列里的视角，讲述了莫扎特进入维也纳宫廷之后的际遇，以及两人之间的竞争。这部戏由英国国家剧院制作，首演于1979年，横扫当年的奥利弗奖和托尼奖，1984年被改编为同名电影后，又获得了第57届奥斯卡最佳影片、最佳导演、最佳改编剧本等八项大奖，至今可以说是各类书写莫扎特生平的作品中，流传最为广泛的版本。
Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.
露西·沃斯利（Lucy Worsley）追寻了年轻的莫扎特在佐治亚伦敦的冒险中被遗忘且令人着迷的故事。 伦敦于1764年以一个八岁的男孩的身份到来，带来了无与伦比的音乐机会。 但是，在讲述讲述莫扎特奇妙而出人意料的遭遇的故事时，露西揭示了在一个繁华的大城市里，小男孩的生活并不容易。
In the garden of a Baroque villa, a chamber orchestra is playing Mozart’s wonderful quartets and quintets, and everywhere is pervaded with echoes and references to the composer’s world. As if by magic or conjured by the imagination, figures emerge from the shadows of the labyrinthine garden: they are Mozart’s characters, and they play with – or perhaps make fun of – the guests at the party, embroiling them in their well-known amorous dalliances. This piece, in which the spectator encounters among the dreamlike medley many well-known protagonists from Mozart’s operas (including Figaro, Don Giovanni, and the Queen of the Night), is a full-length choreographic work by Massimiliano Volpini, who himself performed on stage for many years as a dancer with the Scala ensemble.