不朽巨匠莫札特傳奇性的一生，榮獲奧斯卡金像獎8項大獎，莫瑞亞伯拉罕勇奪影帝的傳神演技已臻境化。本片從一個宮廷樂師薩裡埃利的角度，為我們呈現了天才莫扎特的一生。薩裡埃利（莫瑞亞伯拉罕 飾）是維也納音樂界裡有名的人物，自視甚高的他自從遇到了莫扎特（湯姆·休斯克 飾），心裡的妒嫉之火便熊熊燃燒不能平息。莫扎特總能以他超乎常人的音樂作品贏得全場驚歎，他的《費加羅的婚禮》等歌劇，都成了傳頌千古的經典。

　　薩裡埃利對莫扎特又羨慕又嫉恨的心理已經發展到幾乎扭曲的地步。他在莫扎特的事業上一次次的從中作梗——故意縮短歌劇的上演週期，惡意刪改莫扎特的作品，在莫扎特承受著喪父之痛時給他無情的精神折磨。貧窮虛弱的莫扎特在生命最後的幾年裡，寫就遺作《安魂曲》，一代大師35歲就與世長辭，留下不朽作品。而薩裡埃利，早有等待他的宿命般的結局。

滿懷抱負的歌手提姆一直夢想著就讀莫札特男子寄宿學院。當他終於被錄取時，他非常興奮，然而他在這所名校的第一天卻不如預期。面對不友善的校長、初戀的壓力以及無法唱出自己真實歌聲的種種問題，提姆發現了學院古老建築中的秘密：一個通往平行世界的入口，他感到激動不已。他發現自己身處於另一個現實中，成為塔米諾王子的提姆沉浸在莫札特歌劇「魔笛」的無盡幻想世界裡。

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

奧斯卡小天后「古墓奇兵」艾莉西亞維坎德主演，不良少女卡特蓮娜貧困家庭注定了她悲慘的一生，但她發現了自己在古典音樂的天賦，便到樂團應徵了總機工作，樂團指揮卻覬覦她的美貌，在得到了她的肉體後，背叛開除了卡特蓮娜，卡特蓮娜相信勇氣是生命的唯一出路，決定勇敢對抗向她夢想的人生奮鬥即使犧牲生命。

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

DON GIOVANNI is one of the timeless classics of all opera. Mozart’s music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello’s engrossing production with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous ‘La ci darem la mano’ to the fabulous ensemble as Don Giovanni’s infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast at the Covent Garden Royal Opera House, conducted by renowned Mozart expert Charles Mackerras.

A drama based on the life of 18th century Italian lyricist Lorenzo da Ponte, who collaborated with Mozart on his "Don Giovanni" opera.

Made to celebrate the 250th anniversary of Mozart's birth, IN SEARCH OF MOZART is the first feature-length documentary on Mozart's life. Produced with the world's leading orchestras and musicians, told through a 25,000 mile journey along every route Mozart followed, this detective story takes us to the heart of genius. Throughout, it is the music that takes center stage, with the jigsaw of Mozart's life fitting around it.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

Wolfgang Amadeus Mozart's Don Giovanni is performed live at the Theater an der Wien in this 1999 production starring Carlos Alvarez in the title role and featuring the music of the Choir and Orchester der Weiner Staatsoper performing under the guiding wand of conductor Riccardo Muti.

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.

“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relationships with this best and truest friend of mankind that death's image is not only no longer terrifying to me, but is indeed very soothing and consoling” - thus said Mozart about death. Mozart died in 1791 and was buried in a mass grave, as standard at the time in Vienna for a person of his social and financial situation. In 2000, 452 of Riga’s deceased — people without relatives, the homeless and the unidentified — were buried at the Jaunciems cemetery. But this film is not about death: it's about Mozart, The Magic Flute, Riga, and love. A short commissioned for the Latvian exhibition at Venice Biennale.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.