Mozart és Salieri: a tehetség és a középszerűség ellentéte, örök harca sokakat megihletett már. Milos Forman szakított e művészi hagyományokkal. Filmje nem a középszerűség szívósságát és a zseni törékenységét ábrázolja. Az Amadeusban két súlyos egyéniség mérkőzik, ütközik meg. Forman Salierije cseppet sem kisszerű, csupán a tehetség félreismerhetetlen nagyvonalúsága hiányzik belőle. Az a fajta művészi és emberi természetesség, ami Mozartot igazán naggyá tette... Mozart halálos ágyánál Salierinek lassacskán megvilágosodik: hiába a düh és a görcsös akarás, a tehetség egészen más anyagból van. Mozarttal olyan ember távozott, aki valóban a teremtő kegyeltje volt.

A 17 éves Tim Walker Londonból az Alpok ölelésébe költözik, hogy megkezdje tanulmányait egy legendás zeneakadémián. A tanév során bizonyítja rátermettségét és tehetségét, barátokat gyűjt maga köré, de természetesen még néhány ellenséget is sikerül szereznie magának. Azonban minden megváltozik, mikor a fiú rájön, hogy az iskola egy különleges titkot rejt: az intézmény falai egy misztikus átjárónak adnak otthont, melyen keresztül Mozart "A varázsfuvola" című művének kalandokkal teli világába vezet az út.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of Mozart’s 'Requiem' at the Gothenburg Concert Hall that sends her reeling and opens up a beautiful new world. She feels that she has to change her life and get as far away from her ugly reality as possible. But the path she has to follow proves to be a treacherous one, filled with lies, betrayal and a dangerous liaison with the married conductor Adam. Yet Katarina is ready to do anything to gain her new identity.

Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.

A dráma a 18. században élt szövegíróról és poétáról, nevezetesen Lorenzo da Ponte librettistáról szól, aki Mozart utolsó operájának, a Don Giovanni írásánál és születésénél volt jelen. Carlos Saura életrajzi ihletettségű operafilmje Mozart operájának keletkezéstörténetét dolgozza fel, Lorenzo da Ponte szövegíró szemszögéből. A film az opera körüli fontosabb eseményeket és szereplőit mutatja be, a már említett Lorenzo da Ponte poéta életének viszonylatában. 1760-as években járunk, Velencében, s miután főhősünket, Lorenzot, a szerelmetes költőt száműzi a klérus szülővárosából, Bécsbe menekül, végtelen magányban és elkeseredettségben, ahol szerencséjére, nem kisebb nagysággal, mint Mozart-tal találkozik. Kettősük, nagyságuk és igaz barátságuk életre hívja az operairodalom egyik legnagyszerűbb darabját, a Don Giovanni-t.

DON GIOVANNI is one of the timeless classics of all opera. Mozart’s music, and the words of his great collaborator Da Ponte, are brought to life in Francesca Zambello’s engrossing production with its rich and colourful designs by Maria Bjornson. The music is memorable, dramatic and enjoyable: from the seductive solo voices of the famous ‘La ci darem la mano’ to the fabulous ensemble as Don Giovanni’s infatuated conquests, vengeful victims and their outraged relatives join forces for justice. And retribution does finally come to Don Giovanni, a serial womanizer and a murderer, with the searing flames of Hell ready to engulf him. Simon Keenlyside heads the outstanding cast at the Covent Garden Royal Opera House, conducted by renowned Mozart expert Charles Mackerras.

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.

“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relationships with this best and truest friend of mankind that death's image is not only no longer terrifying to me, but is indeed very soothing and consoling” - thus said Mozart about death. Mozart died in 1791 and was buried in a mass grave, as standard at the time in Vienna for a person of his social and financial situation. In 2000, 452 of Riga’s deceased — people without relatives, the homeless and the unidentified — were buried at the Jaunciems cemetery. But this film is not about death: it's about Mozart, The Magic Flute, Riga, and love. A short commissioned for the Latvian exhibition at Venice Biennale.

Made to celebrate the 250th anniversary of Mozart's birth, IN SEARCH OF MOZART is the first feature-length documentary on Mozart's life. Produced with the world's leading orchestras and musicians, told through a 25,000 mile journey along every route Mozart followed, this detective story takes us to the heart of genius. Throughout, it is the music that takes center stage, with the jigsaw of Mozart's life fitting around it.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.

This production was originally staged for the Pepsico Summerfare Festival, The International Performing Arts Festival of the State University of New York at Purchase. Leaving the lyrics in their original Italian, acclaimed American director Peter Sellars transports Wolfgang Amadeus Mozart's "Don Giovanni" to a modern-day metropolis, nestling the opera's beloved characters among the brownstones of New York City's Harlem. Sellars's contemporary retelling of a classic musical tale is one of three performances in a Mozart series that also includes "Le Nozze di Figaro" and "'Così Fan Tutte."