Animated version of a famous Hungarian epic tale by János Arany.
Young priest Father Sebastián is assigned to a parish in San Jeronimo el Alto, where he is not welcomed by the community, particularly the resident priest Father Damián. The newcomer gradually earns the trust of the people through humor, but firmly captures their hearts by saving the town fiesta by fighting a bull when the hired torero failed to show. Father Sebastián counsels the townspeople, lecturing them on their duties in a modern society. He used the collection plate to redistribute the town's wealth more evenly.
Den manliga sjuksköterskan Benigno och den argentinske journalisten Marco möts första gången på en dansföreställning. Benigno tar hand om dansösen Alicia, som efter en bilolycka legat i koma i fyra år, men Alicia är inte vilken patient som helst för Benigno. På sjukhuset finns också tjurfäkterskan Lydia, vars förhållande med kollegan "El Niño de Valencia" bevakas dygnet runt av media. När Lydia möter journalisten Marco förändras hennes liv.
Manolo är en ung man som slits mellan sin familjs förväntningar och sina egna drömmar. Innan han väljer vilken väg han ska ta så tvingas han möta sina största farhågor under ett otroligt äventyr som utspelar sig i tre helt...
Cantinflas enjoys the bullfight show, and wants to crash in every of these spectacles. Also, there's a professional bullfighter, Manolete, who is identical to Cantinflas. Manolete has to give a bullfight show in a village, but Cantinflas arrives first as a stowaway in a train, and he'll be mistake by the real bullfighter. Cantinflas will give us a demonstration of courage.
Mehmet is a man living with his family in a mountain village in the Black Sea region. He earns his living by breeding a few animals, while passionately looking for a mineral reserve on the mountains, but his pursuit is seen useless by his family. Devastated by vain efforts, his hope is renewed with a competition. Mehmet will attend the bull fight held in Artvin, but he returns from Artvin completely lost, once again. This simple story pictures the naive portrait of a touching life, a life struggle in hardship and the relationship between nature, animals and human beings.
Bugs Bunny once again making that "wrong turn at Albuquerque" burrows into a bullring, where a magnificent bull is making short work of a toreador. The bull bucks Bugs out of the arena, prompting the bunny to declare "Of course you realize, this means war!" The deft Bugs' arsenal comes plenty packed, as he uses anvils, well-placed face slaps and the bull's horns as a slingshot. The bull fights back, using his horns as a shotgun barrel. The bull's comeback is short-lived; just after Bugs makes out his will, he lures the bull out of the arena, just in time to set up a rube-like device that leads to the bull's defeat.
A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.
Popeye visits the bullfight only because of lovely Senorita Olive. He finds himself accidentally in the toreador box, even though he doesn't want to fight because it's cruelty to animals. Popeye rides the bull like a bronco, then gets tossed around a bit. The bull plants Popeye in the ground and attacks; the crowd turns on Popeye. Olive comes down to help and the bull chases her. The crowd throws vegetables at Popeye, including (fortunately) spinach.
The Lecturer, leader of the Feminine League Against Frivolity, tells the history of eroticism and censorship from the beginning of time until the late 1960s.
The wolf, the champion toreador, and Droopy, the challenger, are competing to see who is best in the bullring in the hopes of winning the hand of actress Lina Romay (who appears in a live action shot).
During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.
Ett drama om passion och brutal död. En firad tjurfäktare tvingas lämna arenan men kan inte leva utan att döda. En känd kvinnlig advokat är som besatt av hans konster. Tillsammans går de ett oundvikligt öde till mötes.
När Phileas Fogg utmanas att bevisa sin tes om att en man klarar att resa runt jorden på 80 dagar slår han vad om hela sin förmögenhet och reser med en ny betjänt på en världsturné. Jorden runt på 80 dagar är baserad på Jules Vernes klassiska roman med samma namn.
Året är 1938. Under Mexikos flammande himmel i en dammig höglandsby firas De dödas dag, vilket förebådar ödet för den tid världen står inför. Andra världskriget rycker närmare sitt utbrott även här under vulkanens kvävande hetta och våldet är ständigt närvarande. Längs sin spritinfekterade, stapplande väg via barer och bordeller bjuder Firmin in så väl sin otrogna fru och hennes älskare till sin dödsdans - liksom djävulen själv.
Tjuren Ferdinand fanns på riktigt. Och allt var precis som i sagan. Men slutet blev något helt annat. Möt familjen som gosade med den vänliga tjuren i hagen, barnbarnet till skötaren som följde med på den ödesdigra resan mot arenan, och mannen som faktiskt såg tjurfäktningen 1936 och aldrig kunnat glömma den. Alla har de sin egen historia. Och vi möter förstås den älskade tjuren i en unik nyupptäckt film.
Bullfighter Juan Gallardo falls for socialite Dona Sol, turning from the faithful Carmen who nevertheless stands by her man as he continues to face real danger in the bullring.
Two shades of paint are pitted against each other in a bullfight that spills self-reflexively from the page into the animator’s studio
A group of friends who are struggling to survive in the slums of Madrid commit petty crime in order to finance the debut as a bullfighter of one of them.
Eight years in the making, Boetticher’s portrait of his longtime friend, the famous bullfighter Carlos Arruza, was a labor of love that the renowned director of westerns pursued despite contending with illnesses, bankruptcy, jail time, and lucrative offers from Hollywood. The result is an astonishing work of poetry, immediacy, and violence that fearlessly wrestles with the filmmaker’s own ambivalence about the titular matador’s triumphs prior to his death by automobile accident at the age of 46.