A showcase of bullfighting in Portugal, explaining how the country's version of the sport differs from those in Spain and Latin America and helps define the national character. After showing the training techniques for the bulls and horses, a bullfight is presented.
La Cosa Nuestra is a journey to the most hidden and surreal face of the bovid-bullfighting universe. Fun and tremendous, operating in iconographic cannibalism. It is a work that shows another reading of the national holiday, demystifying it. Confronts the Spanish bullfighting culture with the visions and uses of the bull in other civilizations. This video creation immerses itself in the aesthetic, ritual and cultural universe of the world of bullfighting, rebuilding it critically, but at the same time with healthy irony.
Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
Two shades of paint are pitted against each other in a bullfight that spills self-reflexively from the page into the animator’s studio
This short film "Torerillos 61" is one of the first works of the master Patino, which tries to portray the Spanish society of the time outside the state convention and dodging the hand of censorship. Social commitment is the brand director throughout his long career, starting with short films such as this one, made in the early sixties, in the wake of the statements in Talks Salamanca. The sadness off the characters portrayed is bleak, "Maletillas" (aspiring bullfighters) in search of luck to pull them out of poverty. (IMDb)
In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull.
Short documentary by Man Ray on one his favorite subjects - bullfighting.
After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.
The bull makes short work of the matador, and then turns on Porky, a tamale vendor who wanders into the ring accidentally. But then he makes the mistake of actually eating most of Porky's extra hot tamales.
Mariano Cruz Ordóñez is an Ecuadorian bullfighter at the end of his artistic career. Mariano was a figure of bullfighting in Ecuador and participated in the most important bullrings of his country and the world. The glory years have passed and prohibitions have arisen regarding bullfighting shows, and the only thing left is, with tenacity and faith, to fight against various adverse circumstances looking for a chance to move foward.
A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.
The story is set during the early 1980s in a small town in rural Spain. El Chiqui is a talented young man about to debut in the local bullring, expected to continue the legacy of his family name. But that is not what he truly wants. His secret relationship with a young man from the town, Nicolás, offers an escape from the village, leaving the family pressures behind.
Popeye visits the bullfight only because of lovely Senorita Olive. He finds himself accidentally in the toreador box, even though he doesn't want to fight because it's cruelty to animals. Popeye rides the bull like a bronco, then gets tossed around a bit. The bull plants Popeye in the ground and attacks; the crowd turns on Popeye. Olive comes down to help and the bull chases her. The crowd throws vegetables at Popeye, including (fortunately) spinach.
Home movie from Man Ray with a view of his home/gallery
The misadventures of a group of young people who seek a better life by becoming bullfighters, the only way to leave their poor existence in the slums of Barcelona.
A mouse invites his girlfriend to a bullfight and ends up in the ring when the matador is defeated.
Little known on this side of the pond, “course landaise” consists of confronting a bull and dodging his powerful charge by way of acrobatic somersault. French athlete Emmanuel Lataste is the first to try to garner attention in North America for this extreme sport.