After living 45 years in Germany, the Turkish Hüseyin Yilmaz, seventy, announces to his family that he has bought a house in Turkey and they should return to make the necessary reforms. The idea is unwelcome and causes very heated discussions. In addition, Canan, a granddaughter of Hüseyin, announces she is pregnant and the father is her English boyfriend, and no one knew anything.
This is the story of Isa, who grows up in a Hamburg suburb. It might be one of the world's richest cities but every beast has its belly and here, in the very underbelly, Chiko lives in a world where violence, staking and keeping a claim, and drug taking are the norm. Where down is not an option, Chiko is determined to rise to the top, whatever and whomever it costs.
ある雨の夜、未亡人の掃除婦エミは近所の酒場で年下の移民労働者の男、アリに出会う。愛し合い、あっという間に結婚を決める彼らだったが、エミの子供たちや仕事仲間からは冷ややかな視線を向けられる。年齢や文化、肌の色、何もかもが異なる二人の愛の行方は。
Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.
An eleven-year-old Turkish boy, two young men from a small town, and a cuckolded policeman from the sticks all find their way to Berlin on May Day, where, in the district of Kreuzberg, emotions come to the boil every year.
Ertan Ongun is German-Turkish, a child of migrants. He likes to refer to himself as Kanake. His buddies Mehdi and Kemal are of the same ilk. They do “business” on the street together, but because of their recklessness and sometimes great stupidity, they repeatedly offend both other criminals and the police. No problem for Ertan, because his motto is loyalty, quick money, and being a kanake. “Fuck and be fucked, that’s life!” … and that’s what he lives by one hundred percent.
Flight Number 884 is a film about the wishes and desires of Muslim immigrants. Every year thousands of bodies of Turkish immigrants are flown back from Europe to small villages - villages they had left long ago. The film follows the dead body of a Muslim on its last journey from Vienna to a graveyard in Turkey.
In 1991, both two years after the fall of the Berlin Wall and the 30th anniversary of the guest worker agreement, Turkish filmmaker Can Candan interviewed members of Berlin's Turkish community about their experiences around German reunification and the racist violence that came along with it at the beginning of the 90s.