Amateur footage of the devastation caused by one of South Asia's worst earthquakes.
Thatta Kedona is a remarkable village in rural Pakistan. Since 1991 36 volunteers from Western countries have visited and coached the village people in a help to self help project. Dolls and tin toys reflecting regional cultures of Pakistan are products which generate cash income for the farming families through the local cooperative-like NGO. On the other side those volunteers from Western countries are also having their fun by working in a rural village of Islamic society with strong overlays by the traditional culture of Indus Valley, the Mogul period, Hindu culture and the influences of British-India. Hence the playfulness of a "toy village" is on both sides. For the villagers by producing toys for cash in a not-yet industrialized region avoiding rural exodus to the big cites (and thus avoiding the poverty slums that are generated by migration). And joy for Western people being confronted by their own history stages in present time within a foreign context.
A middle-aged man must maneuver between the deceptive allure of his social scene and the reality he has at home.
A short film on famine that forms a part of a trilogy of short films (along with Agami by Morshedul Islam and Hooliya by Tanvir Mokammel) that kickstarted the Bangladesh Alternative Film Movement
In the remote valleys of the Hindu Kush live the Kalash people, the smallest ethnic minority in Pakistan. With a distinct culture and polytheistic religion, they are said to be descendants of Alexander the Great’s troops. But modern life is reaching their valleys and their culture and way of live is under threat.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
Lahore, Pakistan. During a whole day, we follow Agha, a little boy who, to survive, collects waste in the street without caring about the world which surrounds him. He makes us share his moods and his vision of the life.
This BBC Three film follows the first all Asian girls’ cricket team over the summer holidays as they train for their last ever tournament together. The team started at school four years ago when their only experience of cricket was their dads and brothers watching it on the TV. In spite of this, they took to it like naturals and began winning almost all of the tournaments they entered. Last year they lost out on becoming National champions at Lords by only one run.
A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. Teaching nursing to local women in a strict Muslim culture that forbids them to even to touch men is a formidable task. However, Grace challenges her own values and belief systems to find common ground with her students, helping them to excel and feel respect for themselves in a culture that doesn't respect them. Whether it is getting her hands painted with henna, swimming fully-clothed in the ocean, or marching bravely with them on International Women's Day, Grace bonds with her students in a very special way, and ultimately discovers how the West can learn a lot more from the Third World than she ever thought.
A man is abducted and held hostage in his car by 3 members of a dangerous gang, led by a vicious psychopath. But what appears to be a straight-forward kidnapping turns out to be an intricate tale of deception, vengeance and retribution. Each progressive scene during the kidnapping is linked with impactful scenes from the past, producing a cohesive non-linear story that ends with a series of mind-boggling, yet ultimately satisfying, twists.
Politically Exposed Persons (PEPs) are people who hold a public function and as a result, present higher risks of being involved in bribery or corruption. Offshore leaks have revealed repeatedly that PEPs use British finance and British offshore jurisdictions to launder their wealth, hide their wealth and re-invest it into the global financial system. London is the place where they buy property, where they take legal action against their critics and where they live when they fall from grace. But what happens when a developing country fights back and attempts to get Britain to return the money that it claims has been stolen? Watch Behind Closed Doors and find out.
Ishq e Qalandar - The Beautiful Sindh is a travel film that takes viewers through one of the most ancient civilizations on Earth called Sindh. Shezan Saleem Jo-G takes a journey of self-realization, the discovery of his roots, and building a connection with people and spirituality in Sindh.
Amateur travelogue of the Kagan Valley and Darband, Pakistan.
Daughters of Today was a 1928 silent film from Lahore, in present-day Pakistan (then British India). It was produced by G.K Mehta and directed by Shankradev Arya. This was the first feature film made in Lahore, and helped to establish the city of Lahore as one of the centers of filming in India. The Lahore film industry is now known as Lollywood. Production started in 1924 and took three years to complete, mainly due to financial problems. Two participants later became prominent personalities of the South Asian film industry: A.R. Kardar was one of the most famous Bombay film directors in the 1930s, 1940s and 1950s; and actor M. Ismael's film career spanned over five decades.
Today India and Pakistan are home to one fifth of the world's population. They are rising powers but hostile neighbours. Their enmity can be traced back to the week of their birth, 70 years ago. On 15 August 1947, Britain would give up the Indian Empire, partitioning it in into two independent countries, India and Pakistan. This film tells the story of the seven days that led up to their independence and the last days of the British Raj.
In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
Documentary about K2 tragedy of 1986. On August 4, 1986, Diemberger and Julie Tullis reached the summit of K2 very late in the day. Shortly after starting their descent, Tullis fell and dragged Diemberger down with her. Fortunately, they somehow stopped from going over the edge and spent the night above 8,000 metres. They managed to reach Camp IV the next day, where they were forced to share a tent with six other climbers after their tent had collapsed from hurricane force winds. Tullis died later that night, possibly from high altitude cerebral edema (HACE), and only one other climber, Austrian Willi Bauer, survived the descent with Diemberger. Both climbers suffered severe frostbite during the descent and had to have amputations.
Last May record temperatures provoked a GLOF or glacial lake outburst flood in northern Pakistan, sweeping away bridges and villages in the valley below the Shisper glacier. Higher up the mountains, a semi-nomadic people called the Wakhi were leading their yaks to summer pastures 15,500 feet above in the mountains. Their traditional lifestyle has also been heavily impacted by climate change. From the K2 and the Himalayas, we profile the scientists,mountain climbers, and the villagers on this global warming frontline.
A young musician, Rayyan, falls in love at first sight with Ruba. Ruba has no interest in Rayyan as she is happily engaged to Murad. What follows is a pursuit of true love by a passionate young boy.
Naina, a 36 year old women lives with her niece, Dua who is 19-year-old. They want to rent out their guest room. On the other hand there's Shahab and Ghouri, two friends, and struggling actors who are unable to pay the rent for the last two months. For that Shahab puts on makeup and becomes his own uncle and calls himself Ahmed Kamal. After a few interactions Naina falls in love with Shahab (Ahmed Kamal). Shahab is now truly in love with Dua and he now wants to come clean and tell her the truth that there is no Kamal, in fact he created this character just to get the room on rent.