Amateur travelogue of the Kagan Valley and Darband, Pakistan.
Presents an overview of Pakistan--its geographic and climatic features, its methods of agricultural and industrial production, and its modes of travel.
Thatta Kedona is a remarkable village in rural Pakistan. Since 1991 36 volunteers from Western countries have visited and coached the village people in a help to self help project. Dolls and tin toys reflecting regional cultures of Pakistan are products which generate cash income for the farming families through the local cooperative-like NGO. On the other side those volunteers from Western countries are also having their fun by working in a rural village of Islamic society with strong overlays by the traditional culture of Indus Valley, the Mogul period, Hindu culture and the influences of British-India. Hence the playfulness of a "toy village" is on both sides. For the villagers by producing toys for cash in a not-yet industrialized region avoiding rural exodus to the big cites (and thus avoiding the poverty slums that are generated by migration). And joy for Western people being confronted by their own history stages in present time within a foreign context.
about a group of friends going through a life transforming journey of self discovery. The storyline revolves around the mysterious disappearring of one of the four university friends who later re-unite under shocking circumstances. Prominently successful in their respective fields, the three are collectivelly affected and a series of events expose a social evil in a very dramatic way. Thus, bringing a change within themselves.
A middle-aged man must maneuver between the deceptive allure of his social scene and the reality he has at home.
Against the backdrop of Partition, independent India’s first hockey team defeats England, their erstwhile coloniser, to win the Gold at the 1948 London Olympics. Six decades later, when Nandy Singh, a member of this iconic team suffers a stroke, his tenacious struggle to recover, inspires his daughter to retrace his journey. Using archival footage and interviews with teammates, she reveals lives shaped by the Gold, and by Partition that made them refugees. Revealed also is a friend in Pakistan never spoken of before. Her journey in search of him morphs into a quest for the lost ‘watan’ (homeland).
In Pakistan, the public space is dominated by men. The confidence with which they walk the streets or weight train quickly disappears once they are confronted with female sexuality. Off-screen, several anonymous women talk about their sexuality. The images of the conventional partiarchal society are in sharp contrast to the liberating explicitness of the accounts of clit stimulation, sex with multiple partners, pissing, abortions, and rape.
A short film on famine that forms a part of a trilogy of short films (along with Agami by Morshedul Islam and Hooliya by Tanvir Mokammel) that kickstarted the Bangladesh Alternative Film Movement
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
This documentary film aims to highlight the current situation of LGBT people living in Pakistan.
Today India and Pakistan are home to one fifth of the world's population. They are rising powers but hostile neighbours. Their enmity can be traced back to the week of their birth, 70 years ago. On 15 August 1947, Britain would give up the Indian Empire, partitioning it in into two independent countries, India and Pakistan. This film tells the story of the seven days that led up to their independence and the last days of the British Raj.
Daughters of Today was a 1928 silent film from Lahore, in present-day Pakistan (then British India). It was produced by G.K Mehta and directed by Shankradev Arya. This was the first feature film made in Lahore, and helped to establish the city of Lahore as one of the centers of filming in India. The Lahore film industry is now known as Lollywood. Production started in 1924 and took three years to complete, mainly due to financial problems. Two participants later became prominent personalities of the South Asian film industry: A.R. Kardar was one of the most famous Bombay film directors in the 1930s, 1940s and 1950s; and actor M. Ismael's film career spanned over five decades.
Lahore, Pakistan. During a whole day, we follow Agha, a little boy who, to survive, collects waste in the street without caring about the world which surrounds him. He makes us share his moods and his vision of the life.
Sixteen-year-old Malala Yousafzai was shot in the head by the Taliban for being outspoken about her country’s education system. The Pakistani government spends seven times more on its military than on education. The Taliban banned girls from attending school. Pakistan’s literacy rate is among the lowest in the world, with the number of school aged children who don’t attend school is second highest globally. Malala survived and is now the youngest person to ever be awarded the Nobel peace Prize for her activism for female education. This is the story of Malala’s fight for a right to education and freedom.
BBC The Natural World. In 2004, a team from the Planet Earth series captured the first ever film of a wild snow leopard in the mountains of Pakistan. For Nisar Malik, who led the expedition, these images sparked a passion that compelled him to return. With cameraman Mark Smith, he spent two years documenting the snow leopard's daily life, finally lifting the veil on the most elusive of all cats.
Madiha Aijaz’s observational documentary on public libraries in Karachi, Pakistan, provides an entry point into present-day Karachi, where irredeemable changes feel imminent. While the libraries become a bastion for the literary tradition of Urdu, their frequent visitors lament the increasing dominance of English – a residual reminder of colonialism, partition and the ‘globalising’ present. Wrapped in quiet solitude, seated readers are shown hiding away from the hustle and bustle of urban life that can be seen outside.