Inspired by true events, Olympic swimmer Harry Melchior defects from East Germany in the 1960s and hatches a daring plot to help his sister and others flee East Berlin through a 145-yard underground tunnel.
Berlim, logo após a Segunda Guerra Mundial. CR MacNamara preside a filial da Coca -Cola da Alemanha. Ele está trabalhando duro e tenta dar o seu melhor para impressionar a sede em Atlanta, uma vez que ele já ouviu falar que a sede europeia em Londres em breve estará vaga e estão à procura de um novo chefe. Porém o Sr. Hazeltine, Vice Presidente da Coca-Cola, pede a MacNamara para cuidar de sua filha Scarlett, quem vai fazer uma viagem pela Europa. Scarlett, no entanto, não se comporta da maneira que uma menina jovem respeitável de sua idade deveria. E começa a confusão.
Alemanha Ocidental, início dos anos 60. Bernward Vesper (August Diehl) e Gudrun Ensslin (Lena Lauzemis) são colegas de faculdade que iniciam um relacionamento amoroso. Apaixonados pela palavra escrita, eles resolvem fundar uma editora. A primeira publicação é um antigo trabalho do pai de Bernward, um polêmico autor nazista. O livro logo é atacado, mas Bernward defende a habilidade como escritor do pai, mesmo com o peso de seu passado. Não demora muito para que ele passe a também questionar a participação do pai no Terceiro Reich de Adolf Hitler.
East Berlin, shortly after the construction of the Berlin Wall. Kurt Schröder and his family dig a tunnel to escape to West Berlin as they struggle to overcome the obstacles blocking their underground path to freedom.
Double-agent Alexander Eberlin is assigned by the British to hunt out a Russian spy, known to them as Krasnevin. Only Eberlin knows that Krasnevin is none other than himself! Accompanying him on his mission is a ruthless partner, who gradually discovers his secret as Eberlin tries to maneuver himself out of a desperate situation.
The wild West Berlin of the 1980s became the creative melting pot of pop subcultures: music, art and chaos. Before the Iron Curtain fell, anything and everything seemed possible.
A group of mercenaries is hired to spring Rudolf Hess from Spandau Prison in Berlin.
Long before he played the corpulent Goldfinger, German actor Gert Froebe was a scarecrow-skinny comedian. In Berliner Ballade, Froebe makes his screen debut as Otto, a feckless Everyman who tries to adjust to the postwar travails of his defeated nation. Stymied by black-market profiteers and government bureaucrats, Otto begins fantasizing about a happier life at the end of that ever-elusive rainbow. Director R. A. Stemmle doesn't have to strive for pathos: he merely places his gangly star amidst the ruins of a bombed-out Berlin, and the point is made for him. Filmed in 1948, Berliner Ballade was later released in the U.S. as The Berliner.
West Berlin, 1989. Manny Jumpcannon prowls his dingy apartment, phoning various degenerates from his past. He's hoping for some uncertain vindication but the ensuing conversations only reveal his own sordid history of deceit.
Alex is a Finnish taxi driver in Berlin. One evening pits two men feel comfortable in his taxi with a briefcase full of money, but unfortunately for Alex's money stolen and a group of gangsters are at the nape of the two. Soon it comes to shooting, and when the two men being killed, is good advice costly for the beleaguered driver.
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
An African-American GI retires from the US Army in West Berlin to live with his (white) girlfriend, who already has a baby with another black man. After an argument with her family, she deserts him as well. Despite finding a job and a new place to live, he keeps running into racism, which also manifests itself in sexual intimidation.
With the dangerous smoothness of a tiger stalking his prey, Peter has circled the au pair Michèle. She quickly succumbs to his fascinating charisma and experiences for the first time a hitherto unknown, tender security. "I'll kill you," says Peter, as gently as cold-bloodedly. A macabre joke or a serious warning?
Germany 1982: The country is divided into two parts. Nele, coming from West-Germany, travels to East-Germany where she meets Captain, singer of a band. They fall in love with each other, but the regime "takes care" of their relationship, meaning: They can not see each other again. Germany 1990: The country is reunited. Nele starts searching their lost love...
A well-off couple adopt a 16-year-old boy from an orphanage in West Berlin, but their attempts to help him assimilate into his new surroundings fail. The repressive tolerance of the well-educated adoptive parents is just too much for the mischievous young boy.
Berlin-Kreuzberg in the early 1980s. The film is essentially a one-set piece, taking place in a beat-up, graffiti-decorated schoolroom where six teen-age delinquents argue and fight as they await the latest in what has been a series of terrified teachers.
East Germany, 1988: working as a state security service agent, Jürgen Kaiser is loyal to the party line, but worried about his son Marco, a punk. As he is arrested after a concert, Marco is forced to join the army, where he surprisingly identifies with socialism and believes he has to defend his country against the capitalist enemy. While Jürgen is astonished, his wife Hanna and Marco's girlfriend Anja, supporting the civil rights movement, don't like his new attitude...
Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.