Група прокудени от обществото хора от различен произход и националност са принудени да работят за нефтодобивна компания в Южна Америка. Когато избухва пожар, който не може да бъде овладян, четирима от работниците получават възможността да спечелят достатъчно пари, за да се измъкнат. Условието е да транспортират на 300 километра през джунглата шест сандъка, пълни с престоял от години динамит, като използват два стари и почти негодни за целта камиони.
Sex, politics and American culture are mixed into a combustible combination in Now & Later. Angela is an illegal Latina immigrant living in Los Angeles who stumbles across Bill, a disgraced banker on the run. She takes him in. Through passionate sex, soul-searching conversations ranging from politics to philosophy, and other worldly pleasures, Angela introduces Bill to another worldview. As their affair heats up, the course of Bill's life begins to take an abrupt and unexpected turn.
Three U.S. journalists get too close to one another and their work in 1979 Nicaragua.
In present-day Nicaragua, a headstrong American journalist and a mysterious English businessman strike up a romance as they become embroiled in a dangerous labyrinth of lies and conspiracies and are forced to try and escape the country.
William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.
Джон и Елиса искат да вдигнат сватба на екзотично място и се отправят към избраното райско кътче заедно с най-добрите си приятели. Пътуването обаче се превръща в скандален пиянски уикенд, който им се иска да забравят. Едно убийствено смешно погрешно решение води до друго такова, а щурият запой ескалира до хаос, който заплашва да разруши сватбеното им блаженство.
A Glasgow man visits war-torn Nicaragua with a refugee tormented by her memories.
Narrative of a period of life (1926 - 1934) of the Nicaraguan revolutionary leader Sandino, who was known as "The general of free men."
When a fellow Vietnam veteran is alleged to have thrown his lot in with the cocaine cartels, special commando Paul Gleason is dispatched to Nicaragua to sort out the mess.
The fighting between the Sandinista government in Nicaragua and the Contra rebels backed by U.S. money and expertise is the focus of this pro-Sandinista film by Haskell Wexler. On a secret mission to help the U.S. Special Forces train Contra rebels in the jungles of Nicaragua, American soldier Eddie Guerrero begins to question the morality of the task at hand and consider how his actions may influence the fate of a nation.
Based on a true story, this made-for-cable film tells about Barry Seal, a pilot who was a drug smuggler for the infamous Medellin cartel out of Colombia. He was caught by the US Drug Enforcement Administration (DEA) and decided to turn over and help the DEA break the cartel. However, he got caught in the middle of the Reagan/Bush administration efforts to topple the Nicaraguan government in the '80s, in which Nicaraguan rebels called "contras" were allowed to smuggle cocaine into the US in exchange for their fighting against the leftist Nicaraguan government. Eventually Seal was murdered by his former Medellin employers, and some critics say it was with the tacit, if not implicit, connivance of the US administration.
When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A young generation was taking the reins in a country of grand utopias. From West Germany alone, 15,000 “brigadists” travelled to help rebuild the war-torn country: liberals, greens, unionists, social democrats, leftists and church representatives harvested coffee and cotton, built schools, kindergartens and hospital wards. No movement has mobilised so many people. What became of the hopes and dreams of the revolutionaries and their supporters?
Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it?
Ballad of the Little Soldier is a 1984 documentary film about child soldiers in Nicaragua.
Two young Nicaraguan children, Saslaya and her mute brother Dario, must travel to Costa Rica to find their long-lost mother.
Alsino, a boy of 10 or 12, lives with his grandmother in a remote area of Nicaragua. He's engulfed in the war between rebels and government troops when a US advisor orders the army to open a staging area by the boy's hamlet. Alsino tries to be a child, climbing trees with a girl, looking through his grandfather's trunk of mementos and trying to fly; he goes to town to sell a saddle, has his first drink and is taken to a brothel. But the war surrounds him. The US advisor takes Alsino on a chopper flight, but he's unimpressed. The soldiers' cruelties awake rebel sympathies in Alsino, and after an army assault backfires, the lad is fully baptized into the conflict.
An American reporter covering a civil war in Nicaragua discovers that four soldiers that he used to know during World War II are there and they are actual vampires fighting their own personal war against an evil Nicaraguan general and his own personal army of vampires terrorizing the country.
John Slade is hired to rescue a journalist named Frank Morris from a Sandinista prison in Nicaragua. He teams with Marta, a local woman, to carry out this mission, but then he's captured, tortured, and forced to deal with the fact that he's been betrayed.
¡Las Sandinistas! uncovers the disappearing stories of women who shattered barriers to lead combat and social reform during Nicaragua’s 1979 Sandinista Revolution, and who continue to lead Nicaragua’s current struggle for democracy and equality.
A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.