"جان دوو"(کوین اسپیسی) قاتلی است که تصمیم گرفته است هفت نفر را که نماد هفت گناه کبیره هستند به قتل برساند. هدف او از این کار هشدار دادن به انسانهایی است که غرق در گناه روز خود را به شب می رسانند. مسئول پرونده این قتلها "دیوید میلز" (بردپیت) است، کاراگاه جوانی که تازه به نیویورک منتقل شده است. میلز با همکاری کاراگاه سامرست (مرگان فریمن) که در شرف بازنشستگی است قدم به قدم دوو را تعقیب می کنند اما حوادثی رخ می دهد که شرایط را تغییر می دهد. تغییری اساسی...

The police try to arrest expert hostage negotiator Danny Roman, who insists he's being framed for his partner's murder in what he believes is an elaborate conspiracy. Thinking there's evidence in the Internal Affairs offices that might clear him, he takes everyone in the office hostage and demands that another well-known negotiator be brought in to handle the situation and secretly investigate the conspiracy.

پس از اینکه جنگ سالار تندخو "اولازانا" و گروهش دست به قتلهای بسیاری زده و وحشت زیادی به وجود می آورند، یک گروهبان جوان مسئول پیدا کردن آنها می شود...

A down on his luck former drug dealer is forced by a corrupt LAPD policeman to sell 100 kilos of confiscated marijuana in one weekend.

An elderly schoolteacher is determined to rid her town of the local gambling den.

Atsuko and Akira are a husband and wife duo with a daughter and a son. Atsuko is in charge of the retirement finances. She saves from money given to her by her husband and also earns money herself by working part-time. She stretches every yen by leading a frugal life. yet, expenses come up. These include their daughter's upcoming wedding and the funeral expenses of the husband's father. Then, and at exactly the worst time, the couple finds itself unemployed.

Comedy-drama about a bunch of police rookies who conspire to convince their hard-nosed sergeant that a seriously ill fellow officer, two weeks away from retirement, is on the job, and who, when he suddenly dies, try to hide the fact so that his family can collect his full benefits.

Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

A family from isolated village in Lika makes a good living out of American pension earned by their late granddad Djuradj and received by his widow Nedja. The very existence of a family is threatened when Nedja dies, but the head of the family comes up with a cunning plan.

The four stories that possibly or impossibly can be happened in the pension; The parents who lost their child go to the pension with poison where the killer stays with his family; The husband and wife on a trip who are growing tired of their married life and the wife’s hidden secret reveals when they reach the pension; A woman who demands to stay a night at a particular suite to save her kidnapped child; A man who is asked to manage the pension for a night, he organizes fantastic night with his girlfriend, but things go wrong…

Mussaddi Lal (Pankaj Kapoor), a retired school teacher goes on a pilgrimage for three months after his wife's death. When he returns, he finds his pension has been stopped and the pension office has declared him dead. What follows is his endless struggle against the petty corruption in the government office where the infamous gang of five -- Manoj Pahwa, Sanjay Mishra, Deven Bhojani, Hemant Pandey and Asawari Joshi -- are determined to fleece him till the very end.

The film’s story is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People’s Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her. After forty-five years of work, she is asked to retire. But Voronina does not agree with that, because she thinks that all the plants will die without her. Meanwhile, a group of mysterious radioesthesists find a channel of positive energy right in front of the entrance to the pavilion.