סניגור מסור עסוק בבניית הגנה לפעיל פוליטי נלהב ומארגן שביתות ממעמד פועלים, כאשר הוא מת לפתע בתאונת דרכים. אלמנתו, המאמינה כי הדרך היחידה בשבילה להרגיש שלמה שוב היא לקדם את מטרתו, שוכרת עו"ד מזדקן ומתפשר שייקח עליו את תיקו האחרון של בעלה המנוח. לבסוף היא מבינה שדבר לא יעלים את צערה על בעלה.
The story of corrupt, power-hungry, manipulative Grigori Rasputin's influence on members of the Russian Imperial family and others, and what resulted.
Revealing, intimate documentary spotlighting the Hollywood horror community.
An examination of "The Public Enemy" (1931) by film historians and critics.
Spielberg, Soderbergh, Stone, Friedkin, Scorsese and others tell how Kubrick's directorial style influenced them and how his unique style was developed.
France is at the heart of Madonna's life. She is inspired by French culture and its values and has surrounded herself with French artists for many years. To celebrate the 40th anniversary of the Queen of Pop's career, this film revisits the close and unique bond between Madonna and France and features testimonials from close collaborators and French friends who have helped create her unique artistic universe: Maripol, Jean Paul Gaultier, Julien d'Ys, Nicolas Huchard, and Marion Motin. Today's artists such as Florence Foresti, Leïla Slimani, Victor Weinsanto and HollySiz talk about the influence of this emancipating figure, which extends far beyond music.
Follows the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices.
Dr. Muller, a friend to all, finds pleasure in turning the goodness in people to evil ends. He meets Marie Matin and her fiancée, Georges Roben, while viewing a new painting, "The Martyr--Truth Crucified by Evil." Marie declares that the picture was wrong--evil could never triumph over truth--and though Muller says he agrees with her, he plots to prove otherwise.
A featurette about The Wizard of Oz (1939).