After the relatively low box office takings of 'Intolerance', D. W. Griffith would revisit his epic film three years later by releasing two of the film's interlocking stories as standalone features, with some new additional footage. The second of these was 'The Mother and the Law', which demonstrates how crime, moral puritanism, and conflicts between ruthless capitalists and striking workers help ruin the lives of marginal Americans.
The first animated movie made in the Soviet Union, it portrays a bloated caricature of a Capitalist devouring a massive heap of food and drink.
A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.
Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.
Animated propaganda advocating for the importance of unregulated capitalism to the American way of life.
The plot is based on the dramatic fate of the Red Army commander Aleksei Ivanovich Pavlov. Having been captured in January 1942 and being among the displaced persons, he didn't immediately decide to return to the USSR. Having rolled around the foreign country for 17 years, Aleksei nevertheless returned to his homeland. He goes to his brother in the south of the country to Sevastopol. Aleksei accidentally meets the doctor Anna Andreyevna, who was saved from death in besieged Leningrad. She travels by car from Moscow and also to the south, with her daughter Tanya; she suggests he join them. Aleksei tells about his life on the road.
A dog inherits a fortune and becomes an influential capitalist snob in the human world.
A craftsman builds a glass harmonica that enlightens him. He travels to a town where the people are obsessed with money. A bureaucrat smashes the glass harmonica which leads to chaos and eventually to social reform.
See http://www.lcsd.gov.hk/fp/en_US/web/fpo/programmes/2011mm/film82.html
Culled mostly from archival footage, this thought-provoking first volume of the Hidden Agenda series relays the little-known history of an elite group of power brokers who wield considerable influence over world affairs. Tracking the growth of the world's largest banking dynasties through the eyes of a conspiracy theorist, the program maintains that the true motivation behind their activities is to control the world itself.
A mid-level automotive company employee is summoned to the mountain villa of owner Giovanni Nosferatu, only to discover a glossy netherworld where capitalism is the new vampirism, and escape may be impossible.
A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisible adhesive called federalism makes it all cling together. That the dissenting voices are many is made amply evident, in English and French. But this animated message also shows that Canadians can laugh at themselves and work out their problems objectively.
The Polish film based on the book of the same name by Władysław Reymont. Taking place in the nineteenth century town of Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion shown through the eyes of one Polish town.
The first part of the Emilia animation series. Emilia lives in an apple tree forest. There, together with the other residents, she cooks apple jam. Everything goes smoothly until factory owners arrive and start making apple jam in their factories.
The concrete costs for culture and creativity is here illustrated in punchy images.
Kadu, a boy from Pakil, Laguna, experiences the dissolution of tradition as it gives way to capitalism in the form of Madame, a foreigner who initially came to their village as a customer during the Festival of Turumba.
Go For It, Mike is a parodic music video that re-envisions the Horatio Alger myth of the American Dream via 1950s-style cultural cliches, advertising and Reagan-era media propaganda. Smith's "regular guy" Mike embodies a series of all-American male stereotypes, from the classroom to political candidacy, assuming the roles of college prep, cowboy, train engineer and real estate developer. Set to an ironic jingle that recalls an "Up With People" anthem, this lampoon of Manifest Destiny concludes with Mike riding, like an ironic Marlboro Man, into the sunset.
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
Bearded contract employee goes on a "giant bouquet of flowers" planet and prefers friendship with the robot because all inhabitants are creepy psychos.