The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.

In 2002, serial killer Patrice Alègre was sentenced to life imprisonment for five murders. Gendarme Roussel, the main investigator of this case, believes that he will make him confess to other unsolved crimes in Toulouse. Two ex-prostitutes give a series of names of presumed accomplices of the killer, among them Dominique Baudis, then president of the CSA. He decides to face the case alone. Around him, it is silence: not an official support of his political family. Almost twenty years later, we return to the Baudis affair to try to understand it, with the testimonies of Pierre and Benjamin Baudis, his sons, François Hollande, Camille Pascal and the main protagonists.

During the Spanish Civil War (1936-1939) and the Second World War (1939-1945), around three thousand people managed to elude their pursuers, and probably also avoided being killed, thanks to the heroic and very efficient efforts of the Ponzán Team, a brave group of people — mountain guides, forgers, safe house keepers and many others —, led by Francisco Ponzán Vidal, who managed to save their lives, both on one side and the other of the border between Spain and France.

Letter to L.Y is Stephanie Mavi Garcia Panclas' second experimental film for their class. The film surrounds the feeling of nostalgia shown through the layering of video.

Henri de Toulouse-Lautrec (1864-1901) is renowned for his paintings and posters inspired by the rowdy, edgy spectacle of entertainment in late nineteenth–century Paris. He found his subjects in the dance halls, cabarets, circuses, and brothels of the Montmartre neighborhood, where middle-class visitors came for a whiff of excitement laced with danger. His images of performers at the Moulin Rouge, Chat Noir, and other fashionable nightspots transformed the poets, singers, and dancers of Montmartre — including Aristide Bruant, Jane Avril, and Yvette Guilbert — into celebrities. This film traces the relationship between the aristocratic painter and the avant-garde culture of Montmartre, using works of art by Lautrec and his colleagues, rare archival footage and sound recordings, period photographs, and interviews with contemporary scholars.