Short documentary about Rome
A documentary on Rome from the late 19th century to the early third millennium (made almost entirely from archival and found footage)
A psychedelic trip down memory lane set in Rome.
Forced into quarantine for 10 days upon arrival in Rome, an exchange student’s journey into processing the past comes to a sudden stop, as he has to look within himself in company of a subconscious visitor.
Rome, 2000 years ago was the world's first ancient megacity. In a world where few towns had more than ten thousand inhabitants, more than a million people lived in Rome. How did they manage without all the technologies of our modern cities? How did they bring in enough food to sustain the population? How did they house them? How did they maintain law and order? How did they make this city work?
Sound & Fury's flagship show, has been performed over 2,000 times. It's a bawdy tale, of enormous proportions. If you know what we mean. See it and have a ball! Bad puns, adventure and a healthy dose of cross-dressing, as usual ensue.
The film starts with a long, static shot of the sun rising above the hills near the Roma village of Hetea in Romania. We only hear the sounds of birds, including a cuckoo. In the distance, a satellite dish figures on a roof. Slowly, the daily routine begins. We see more and more activity, like the harnessing of a horse to a cart, loading stripped tree trunks, collecting water from a pipe, playing soccer and a girl getting punished with a severe slap on her arm. These scenes are mostly captured from a distance. Then, towards noon, the fat is in the fire. The camera looks for the villagers who argue with each other and registers how an old man paces up and down the street. Because the images have not been subtitled (intentionally), the meaning of the quarrel remains unclear. The film does not mention any names or other facts, either. The absence of this context makes this documentary into a picturesque impression.
Family Struutz lives in Bitterfeld (GDR). After the fall of the wall, they take the opportunity to go on holiday with their car, an old Trabant. They simply want to visit Italy. But there are some incidents during their journey.
A Traveltalk style documentary look at Rome.
Everyone knows the view of Via della Conciliazione with St. Peter's Basilica framed behind it. The most famous postcard of Rome, the background used by correspondents all over the world. Few know that this street hasn't always been there, and in fact shouldn't have been from the premises.
Mali - Algeria - Libya - Italy. Issa’s escape from West Africa to the European mainland lasted ten years. Everything was supposed to be better here. But when he arrived in Rome, the only thing waiting for the young man was a life of homelessness and unemployment – which meant no money to send home. Drissa and Sekou share a similar fate, waiting in Italian asylum centres for a residence permit. Then there’s Bubu, who, forced to move from job to job, is unable to settle down. And lastly comes Alassane, who lives without identity papers in a state of constant uncertainty in a refugee camp near Rome. They all have one thing in common: after a gruelling odyssey, none of them has found the Italy they were hoping for when they arrived. Disillusioned, they find themselves in a vacuum of waiting, reflecting on the time they live in and the time that lies ahead.
Rousseau's first full-length feature, and one of the best documentaries/experimental films of the past few decades, sprung equally from Robert Bresson, Michael Snow, and Jean-Marie Straub (who has called Rousseau one of the three best working artists in modern Europe). Again hard places played against drifting sounds from unseen sites beyond the image; the images and sounds, repeated, become inflections of each other. But this time there are historical inflections; Rousseau's film, like Straub's, takes place in a sort of meta-history as characters and ancient sites each become products of outside light and shadow.
Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.
Short costume picture on the infamous Roman Emperor.
Sea battles in the morning and gladiator fights in the afternoon with wild beasts magically appearing in the arena? A subterranean archaeologist investigates tunnels to see how the Colosseum could be flooded; and architects, engineers, and builders construct a lift and trap door system to attempt the release of a wolf into the most famous amphitheater in the world for the first time in 1500 years.
Nero is accused of having "fiddled while Rome burned" and remembered for executing his mother and burning Christians alive. History has sided against him on all counts, but could there be another side to ancient Rome's notorious emperor? National Geographic reveals how Nero rebuilt a city devoured by fire, revolutionizing Western architecture and forever changing the face of Rome.
Originally produced in 1997 on the threshold of the Third Millennium of the Christian Era, and in celebration of the Jubilee of the Year of Our Lord 2000, The Vatican Museums was the culmination of three years of research and filming, the collaboration of thirty-two scholars and historians from around the world, a crew of forty directors of photography, operators, and lighting technicians, state-of-the-art digital cinematography, lighting, animation, and computerized editing, and the work of a famous composer with original performances by master musicians. Now available on DVD for the first time, this historic three-disc collection features seven hours of magnificent documentary film that illuminates and chronicles the great journey of the human spirit. Here then is the world's most spectacular and sacred repository of art, history, and faith.