Still healing from her grandmother’s death, Addison Moore finds herself checking into The Copper Queen Hotel in Bisbee, Arizona. Aware of the ghost stories and hauntings, Addison fearlessly elects to stay in Room 315, the location of the heartbroken Julia Lowell’s death a century ago.
Young prostitute meets an artist, gets invited to a modeling session and finds herself in rather new and exciting world of artists; then the day ends and she has to return to her usual place in life.
Juan walks through desolate alleys, thinking of his friend he is attracted to, but knowing that he will never be with him. Until he meets Sarahí, a transwoman prostitute, where he finds a shelter, a flash of affection in his aimlessly night.
In the summer of 1920, Shanghai was scandalized by a sensational murder, a high-profile case and subsequent trial that was the ongoing topic of conversation in the city's numerous cafes, clubs and teahouses. Among the various reasons for its notoriety, two stand out: first, the victim was a high-class prostitute, well known in Shanghai; second, the murderer had been a mid-level manager in a respected foreign firm, a playboy who in Manhattan might have been termed a "prominent young man about town." There were detailed press reports daily as the case wound its way through the judicial system.
In order to dissuade her younger sister from following her example, a prostitute relates the experiences she's had with all the sick weirdos she comes into contact with.
Sixteen female sex workers have been named judicial aides by Nicaragua’s Supreme Court to facilitate the resolution of conflicts that come up in their work. It is the first time in the world that sex workers have had access to this function. The film accompanies some of these women in their mediation work and in the actions they promote through their association, Girasoles (Sunflowers) of Nicaragua, to gain recognition and regulations for autonomous sex work.
After falling out with her mother over her chosen path, Ella strives to turn her life around in the hopes of reconnecting with her young daughter.
From the open air theater in the Bois de Boulogne the sex workers Heden, Claudia and Samantha, tell about the woods which is their work place.
Severely traumatized and disillusioned soldier Alan Jaffeo returns to his hometown in San Francisco following a two year tour of duty in Vietnam. Filled with rage and appalled by the general decadence all around him, Alan violently lashes out at prostitutes, family members, and anyone else unfortunate enough to cross his angry and deadly path.
In this film, servicemen are strongly urged to forgo illicit and casual sex because it is degrading and contrary to divine will. The joys of marriage and family are stressed. Long-term happiness should be the goal, not immediate gratification. A medical officer discusses sexual abstinence, saying that it will not adversely affect a man's virility. A commanding officer points out that sexual promiscuity among troops is not just the concern of the medical officer and the chaplain. He says that self-control should be practiced by everyone. Marriage and family should be the goal of every man. A chaplain speaks of abstinence and self-control as obedience to divine law. Shots include: sailors with their families; a wedding; sailors picking up girls and visiting prostitutes. There is some animation.
A KISS FOR GABRIELA tells the story of a remarkable woman named Gabriela Leite. An activist for sex workers’ rights for over 30 years, Gabriela was the first sex worker to run for Brazilian Congress. The documentary presents an intimate portrait of her 2010 campaign when she faced 822 opponents and challenged a male dominated political system. Combining an observational style with unrestricted access, it explores what it means to be a prostitute, to be a wife, and most importantly, what it means for a woman representing one of the most stigmatized populations in the world to run for office. Gabriela’s charisma and amazing history of activism engages audiences and encourages them to reflect critically on laws and policies that restrict the rights and possibilities of women like Gabriela globally. For women like Gabriela who make history and challenge stereotypes with their campaigns, it is not whether they win or lose, or even how they play. It’s that they’re in the game at all.
Paris, summer 2019. Marcio is a young Brazilian who recently moved to the French capital, hoping to find a better life there. However, reality catches up with him when he ends up broke and homeless. Without hope of integrating the working world, he survives by joining a pimping network, until a man, much more mature than him, decides to take him under his wing.
A young filmmaker looking for production assistance.
For those who thought "Reefer Madness" was the first exploitation movie you'll be interested to know that the genre was alive and well during the silent era. "Street of Forgotten Women" is the usual potboiler about a rich girl who is disowned by her father when she decides she wants a career in show business. After sinking her money in a stage production which immediately flops, she's forced to try and earn a living dancing in a saloon in her underwear. Even worse, she is forced into prostitution in a slum apartment that just happens to be owned by HER FATHER!!!!!
Two prostitutes make their living by selling love for the night. But they have never experienced it. True love.
A year in the life of Bernardo, a young call boy who has recently been through a major trauma. Through clients and acquaintances, his past and his demons are revealed.
Ricky is a young man who takes care of his sick mother. His father hovers at the edge of the picture, so Ricky provides for himself and his mom through prostitution, running errands, and acting as a caregiver for a blind man. Through the course of the film, Ricky befriends Janey, a young woman he finds beaten by her ex-boyfriend, and Trenn, a mysterious young man in trouble with the law. The three of them navigate a dark and confusing world. It uses many of the actors who have come to constitute the Dar A Luz company, including Tony Torn, Tom Fitzpatrick, Juliana Francis, and Tom Pearl. It will disappoint those who approach it looking for a film analogue of the “faster and louder” aesthetic that critics have used to characterize much of Abdoh’s stage work. The Blind Owl does use a variety of techniques reminiscent of his stage direction, giving it an unusual theatricality.
1961 documentary about the history and seedy reality of the sex industry in London's Soho.
This documentary, set in the Lower East End of Vancouver's downtown core, is a pretty honest account of life on the streets in urban Canada. It is aimed at educating high school kids on the dangers of addiction to hard drugs and is the brainchild of a group of city police officers who videotape their interactions with local homeless personalities.