Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.

聯接曼哈頓和新澤西州的海底隧道是當地的交通樞紐﹐一次﹐一宗意外發生的大爆炸使得隧道被封塞﹐很多無辜市民被圍困在了里面﹐其生命隨時受到威脅。 地面的警方獲悉這一事故馬上出動大量人員趕到現場﹐但苦於隧道口已被堵塞﹐且里面又有毒氣彌漫而一時束手無策。這時﹐已被革職的前救生隊隊長駱查趕到。出於職業的本能和強烈的救人意識﹐他一面與遲遲不敢行動的警方唇槍舌戰﹐一面執意孤身冒著生命危險通過飛轉的隧道排風口進入了危機四伏的地獄般的隧道。 面對著突如其來的駱查﹐隧道里的人一陣欣喜﹐但當發覺僅來了駱查一人后﹐眾人又陷入了極度的絕望甚至懷疑﹐諷刺駱查的勇猛行為。在駱查無私行動的感化下﹐眾人摒棄了相互的埋怨﹐生存的樂觀逐漸在他們心中滋長。但是﹐接踵而來的塌方﹐海水浸灌等還在不斷扼殺著人們僅有的希望。在駱查的帶領下﹐大家終於團結一致﹐齊心克服了一次次生命的威脅﹐希望的火苗又再現在眾人心中燃起。可是﹐風雲不測﹐克服了一個困難﹐他們又面臨著更多的巨大挑戰…… 終於﹐駱查察覺到逃生的耗子可以幫他們走向光明﹐尾隨著耗子群﹐人們終於一步步走向活路。可是﹐為了救一條長期豢養的家狗﹐駱查不幸再次陷入困境﹐而為了助其擺脫困境﹐救人不成的另一女子也身陷苦海…… 在駱查的引導幫助下﹐眾人終於精疲力盡地躺在了地面救護隊的擔架上﹐而駱查與另一女子卻還生死未卜。歷經艱險的駱查倆人把最后的希望寄托在了唯一的一塊炸藥上。一聲巨響后﹐隧道頂上炸開了一個大口﹐巨大的吸力終於把倆人托出了海面……

在太陽的光明下﹐駱查又被眾人奉為英雄﹐人們再次稱他為“隊長”了﹐而駱查早已無意於這些﹐他此刻感到的只是一種油然而生的正義感...

Craig and his cousin Day Day have finally moved out of their parents' houses and into their own crib, working nights at a local mall as security guards. When their house is robbed on Christmas Eve they set out to track down the culprit.

Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.

It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.

The final candidates for a highly desirable corporate job are locked together in an exam room and given a test so simple and confusing that tension begins to unravel.

An average kind of guy who has a slight problem with gambling goes to the track, and mystically, it seems as though he can't lose, no matter how he bets; and he has an incredible day.

The protagonist is Carmen X, a sexy female member of a terrorist gang. She asks her uncle Jean, a washed-up film director if she can borrow his beachside house to make a film with some friends, but they are in fact planning to rob a bank. During the robbery she falls in love with a security guard. The film intercuts between Carmen's escape with the guard, her uncle's attempt to make a comeback film, and a string quartet attempting to perform Beethoven.

Long ago in a land with an ailing king, there was a pair of boys who looked exactly alike, a pauper called Mickey and the other, the Crown Prince.

Among normal humans live the "Others" possessing various supernatural powers. They are divided up into the forces of light and the forces of the dark, who signed a truce several centuries ago to end a devastating battle. Ever since, the forces of light govern the day while the night belongs to their dark opponents. In modern day Moscow the dark Others actually roam the night as vampires while a "Night Watch" of light forces, among them Anton, the movie's protagonist, try to control them and limit their outrage

A dirty corrections officer gets involved in a murder plot involving one of the inmates.

Jim Harvey is hired to guard a small wagon train as it makes its way west. The train is attacked by Indians and Harvey, hoping to persuade Aguila, the chief, to call off the attack due to Harvey's having saved his son's life, leaves the train to negotiate. He is captured and the rest of the train is wiped out except for two sisters. Escaping and showing up in town later, Harvey is nearly hanged as a deserter, but gets away. Eventually caught by the sheriff and his posse, they are attacked by Indians. This time the Indians are defeated and Aguila, captured and dying, reveals the identity of the white man who engineered the initial attack on the wagon train, just as the perpetrator rides up behind them.

Locked in her cell, a murderer reflects on the events that have led her to death row.

Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

After being cruelly set up and deceived by Sugimi, a detective in cohorts with the mob with whom she was whole-heartedly in love, Matsushima’s desire for revenge knows no bounds.

Carry On favourite Barbara Windsor makes her debut in this outrageous send-up of the James Bond movies. Fearless agent Desmond Simpkins and Charlie Bind, aided and abetted by the comely Agent Honeybutt and Agent Crump, battle against the evil powers of international bad guys STENCH and their three cronies.

Two boys – the prince Edward and the pauper Tom – are born on the same day. Years later, when young teenage Tom sneaks into the palace garden, he meets the prince. They change clothes with one another before the guards discover them and throw out the prince thinking he's the urchin. No one believes them when they try to tell the truth about which is which. Soon after, the old king dies and the prince will inherit the throne.

En route to Thebes for an important diplomatic mission, Hercules drinks from a magic spring and loses his memory. He spends most of the movie in the pleasure gardens of Queen Omphale of Lydia. While young Ulysses tries to help him regain his memory, political tensions escalate in Thebes, and Hercules' new wife Iole finds herself in mortal danger.

A prison chaplain (John Litel) rescues a young convict (Glenn Ford) on a misguided mission of revenge.

Beautiful young Daisy feels stuck working as a shopgirl by day and caring for her ailing mother by night. A suicide gone wrong leaves Daisy wrongly imprisoned, while the neighbor whose testimony put her away struggles with guilt. A tongue-in-cheek homage to 1950s women-in-prison films.