Discusses the situation of the Palestinians in East Jerusalem whose homes have been destroyed by the 1967 war and Israeli urban renewal and demolition policies.

Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.

Amid the conflict in Israel, disillusioned war correspondent Erin Ryan finds redemption and a story of reconciliation in the fights, football, and friendship of three boys of different faiths in the Old City of Jerusalem.

Uri spends his days watching MyView, a device transplanted in people's eyes that allows them to broadcast their literal point of view. When Uri accesses a hacked MyView of a famous model, he witnesses a crime she committed and decides to blackmail her into being his pretended girlfriend.

Many prophets who authored the Tanakh of the Jews prophesied about the fate of the Jewish people and the State of Israel.

An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.

In this superbly produced, two-part documentary, you'll trace the holy city's prophetic history and explore what the Bible professes regarding Jerusalem's fate.

A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?

The inside story of the Palestinian-Swedish band Kofia, told through film and music. Singer-songwriter George Totari fled Palestine during Israel's 1967 war and founded a band dedicated to liberation. Bringing the sounds and struggles of the Palestinians.

Fascinating documentation of the Sephardic cuisine, which disappears over the years, just like the Ladino language, through the eyes of a director who documented her grandmother, cooking Ladino: "I'm afraid this food is starting to disappear. I want to teach my granddaughters to cook, but they have no time."

An Israeli director currently living in Berlin returns to Israel to meet some of her friends from primary school. She learns what has been happening in their lives since their paths parted while we get a glimpse of different Israelis.

In 2007 Livi, a photography student, moves into an empty building in downtown Haifa. Just before her loneliness urges her to leave, Shahar, Zvi, Iddo and Talia move into that very building - young artists themselves. The friendship ignites in an instant and when Zvi can't pay his rent, they decide to rent a space together, half of which will be Zvi's dwelling and half - an art gallery and bar. The joint work thrives and their voice is heard across the distance, but cracks begin to show, the gallery closes and they disperse. For 12 years, Livi follows their journey to fulfill their dreams as they face the reality of livelihood difficulties, manic depression and alcoholism, unfolding both intimately and lovingly, revealing the story of five friends and their maturing process.

In a closed apartment, sealed to the outside world, an aging polar bear tries unsuccessfully to communicate with his daughter.

30 years after their emigration, Danni interviews his family and tries to learn their story to reconcile with the past.

Rachel is experiencing a cruel adolescence, both at home and outside of it; her unemployed father unloading his frustration and rage upon his wife and daughter. Rachel attempts to handle her violent father and protect her mother. Defenceless and exhausted, she and her mother try to comfort one another while awaiting some compassion.

After failing to make it into a major soccer tournament for 50 years, the Israeli National team finally gets into the Euro 2020 Qualifying Tournament. For the first time ever, nearly half the players, including the captain, are Muslim. This documentary explores the challenges that the Muslim players face from media critics and fans as well as how the team perseveres because of their passion for the game. Israeli director Shuki Guzik notes, “If an Arab child sees a Muslim score a goal for the Israeli team made of Arab and Israeli players, I see only good can come out of this.”

In 1968, Robert Kennedy was assassinated just after winning the California primaries, which made him the front-runner in the presidential race. Had he reached the White House, he would have been able to reopen the investigation into his brother’s death five years earlier, and it is known from numerous testimonies that he intended to do so. Neither John’s nor Robert’s death are elucidated; both investigations, conducted under Lyndon Johnson’s watch, are widely regarded as cover-ups. In each case, the official conclusion is rife with contradictions. This film sums them up. But it does more: it shows that the key to solving both cases resides in the link between them. And it solves them beyond a reasonable doubt.

A documentary focusing on the stories of three Israeli women seeking a divorce through religious courts.

As retirement crept up on Assaf’s mother, she developed a mysterious illness. Now the entire family life is turned upside-down in turmoil…

A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.