Rivka tries to have a calm Friday dinner Kiddush with her daughter, Miri, who is slowly moving away from the family’s religious traditions. All goes well until Rivka snaps and has to understand how to keep Miri close to her.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
Spotlighting 30 years of the Israeli metal band's career, A Heaven You May Create explores not only their immense discography but also the impact they left on the music industry.
A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?
This movie is a short documentary about both the narrator's, and the youth's, experience as Christian tourists in Israel.
In a closed apartment, sealed to the outside world, an aging polar bear tries unsuccessfully to communicate with his daughter.
Rachel is experiencing a cruel adolescence, both at home and outside of it; her unemployed father unloading his frustration and rage upon his wife and daughter. Rachel attempts to handle her violent father and protect her mother. Defenceless and exhausted, she and her mother try to comfort one another while awaiting some compassion.
After failing to make it into a major soccer tournament for 50 years, the Israeli National team finally gets into the Euro 2020 Qualifying Tournament. For the first time ever, nearly half the players, including the captain, are Muslim. This documentary explores the challenges that the Muslim players face from media critics and fans as well as how the team perseveres because of their passion for the game. Israeli director Shuki Guzik notes, “If an Arab child sees a Muslim score a goal for the Israeli team made of Arab and Israeli players, I see only good can come out of this.”
A look inside the work of Breaking the Silence, an organization of former IDF combat soldiers who collect and publish testimonies of soldiers who served in the occupied territories. For six months, director Silvina Landsmann, camera in hand, accompanied the staff of the organization. The many hours of footage have been refined into a film that dives into the heart of Breaking the Silence’s work: guided tours of Hebron and the surrounding area, public lectures and house meetings, internal staff meetings and media strategy. All the while the organization is forced to justify its very existence, both internally and to the broader public, and to justify its place in the political debate. The Good Soldier raises questions about Israel’s dynamic mainstream and the challenges of confronting it.
After Noisey Atlanta, Noisey Jamaica and Noisey Chiraq, comes a documentary hosted and co-directed by Mike Skinner (The Streets) that takes the temperature of the rap scene in Israel and Palestine. During Noisey Israel Palestine we meet Tamer Nafar, also known as the godfather of Palestinian hip hop who founded the group DAM, Ohad Cohen who after being a regular in the Tel Aviv rap scene as a teenager then moved towards ultra orthodox Judaism, but still has ambitions to be a famous rapper, and Ben Blackwell, who is part of the fascinating Hebrew Israelite community of the desert town of Dimona. Plus many other MCs from all different backgrounds including Subliminal, Saz and Rebel Sun.
"Haturnir" is a documentary film, following Liam Ronen "The CEO" - a high school student who arranged the soccer tournament that eventually succeeded in becoming an outrageous empire. The film captures the fights, conflicts, COVID-19 influences, and competitions in this event.
A camel's body lies in the middle of a desert road, exactly on the 147th kilometer, on the border between two settlements. None of them agrees to take responsibility for it.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.
Tamar, a 33-year-old Tel Aviv comics artist, watches passersby, listens to their conversations and translates her impressions into comics with an ironic expression. She peels off the mask from a society, in the eye of the storm, that claims to be liberal and in which everyone has an opinion about everything. Secure between her four walls, she touches the darkest spots of her life- a bomb attack, a failed marriage, coping with depression. A young, modern woman in today's Israel.
Streets of Jerusalem, shot over a period of five years, centers around the lives of ten Jerusalem residents.
A short documentary about urban planning and the harmonisation of old and new building elements in Jerusalem of the 1970's, led by the architect Moshe Safdie.
With the most tech startups and venture capital per capita in the world, Israel has long been hailed as The Startup Nation. WIRED’s feature-length documentary looks beyond Tel Aviv’s vibrant, liberal tech epicenter to the wider Holy Land region – the Palestinian territories, where a parallel Startup Nation story is emerging in East Jerusalem, Nazareth, Ramallah and other parts of the West Bank, as well as in the Israeli cybersecurity hub of Be’er Sheva. And we will learn how the fertile innovation ecosystem of Silicon Wadi has evolved as a result of its unique political, geographical and cultural situation and explore the future challenges – and solutions – these nations are facing.
Experience the pain of Egyptian slavery through the eyes of Moses' mother as she sets down her baby in to the Nile, the loyalty of Ruth as she pledges herself to Naomi and her God, and the turmoil of the Jews in Babylonian exile. Face the challenge with Esther as she risks her life to plead for her people, and see the suffering of the Jews in Jerusalem under Roman occupation. In the dark centuries following, The Covenant brings you to Shabbat tables of the persecuted Jewish families in Diaspora, ending in the Warsaw ghetto, and culminating in the Holocaust and the promised rebirth of the Jewish State in 1948.
'Veterans', focuses on WW2 veterans, once fighters in the Red Army and now uprooted immigrants, fighting for their place in society. These people, who experienced the twentieth century's bloodiest war as Soviet soldiers, immigrated to Israel after the collapse of the Soviet Union and found themselves in a society that is totally indifferent to their glorious past. The film offers a close and compassionate look at the veterans' lives, fueled by complexity, pain, and an almost silent insult, alongside joy and self-deprecating humor. The feeling of living on borrowed time drives the veterans to embark on what may be their last adventure.