Two men murder a man in cold blood for the thrill and invite his parents over for a celebration to prove they have committed the perfect crime, but they also have to deal with their former schoolmaster, who becomes suspicious.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
A discussion between Jean Hyppolite, Georges Canguilhem, Paul Ricoeur, Michel Foucault and Alain Badiou on the subject of philosophy and truth. Curated by Dina Dreyfus.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Investigates the central ideas of Marshall McLuhan using pictorial techniques and including his own comments. Examines the reaction of others to his views and points out that his interest is the impact of electronic technology on the contemporary world.
Johan van der Keuken explains, "Some fifteen filmmakers were asked to make a film series in a relay style for a very popular variety program on Dutch television: each new program was to start from the last image of the previous program, developing the story from that image. It was necessary to work according to codes of the crime thriller. I 'sabotaged' these codes, following a close-up of a pistol, inherited from my predecessor, by a series of comic observations of my cat, accompanied by a text on the need to innovate methods of expression and communication in cinema."
The San Francisco scene in 1967-68. Documentary about hippies shot during the height of the movement . Viewpoints from many kinds of people. Music by Steve Miller Band, Mother Earth, Quicksilver Messenger Service and others.
All eyes focus on the Vatican, watching for the traditional puffs of white smoke that signal the election of the next Pope. This time much more is at stake. The new pontiff may be the only person who can bring peace to a world on the brink of nuclear nightmare.
Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers on two 1960s students researching Osugi's theories.
The rigid principles of a devout Catholic man are challenged during a one-night stay with Maud, a divorced woman with an outsize personality.
On the 100th anniversary of the founding of a watchmaking company in Geneva, Charles Dé the founder's 50-year-old grandson has had it: he speaks eccentrically to a reporter, recognizing his grandfather as a craftsman and his son as a businessman, but is evasive about himself. He gives his family the slip and moves in with a young couple he meets by chance, doing the cooking, reading, drinking, and engaging in philosophical discussions with them. The young couple comes to love Charles. In secret, he stays in touch with a daughter, and the rest of the family hires a private investigator to find him, setting in motion a business take-over that threatens his Bohemian happiness.
Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
The dramatization of Socrates' trial for spoiling the Athenian youth which resulted in his death sentence.
Alan Watts talks about our perception of the world, and how we derive metaphysics from it. Watts recorded this video in 1971 as a pilot for a public television series in the United States.
Carried by a rich narration from Orson Welles, this rarely seen 1973 animated adaptation of Plato’s 'allegory of the cave' populates the tale with haunting human figures, bringing retro-surreal life to the parable.
In 1973 Yorkshire public television made a short film of the Nobel laureate while he was there. The resulting film, Take the World From Another Point of View, was broadcast in America as part of the PBS Nova series. The documentary features a fascinating interview, but what sets it apart from other films on Feynman is the inclusion of a lively conversation he had with the eminent British astrophysicist Fred Hoyle.
Alan Watts discusses the Western dichotomy of work and play, and explains that when you take the play out of work life becomes joyless drudgery.
This documentary explores the growing American interest in the 1970s in Eastern religions and philosophy. The teachings and lifestyles of ten spiritual teachers and their followers are presented without voice-over narration.
Is it possible to live a life without constant battle? To really understand this you have to see what your life is. Don't escape from it, just watch. In the very act of attention the struggle comes to an end.