Phillip Filmore is a naive, 15-year-old, preoccupied with sex, who develops a crush on Nicole Mallow, the new 30-something, French housekeeper and sitter to look after him when Phillip's father is out of town for the summer on a "business" trip. But Mr. Filmore's unscrupulous chauffeur, Lester Lewis, takes advantage of Phillip's crush on Nicole to hire her to seduce the youth, then draws her into a plot to fake her own death in a blackmail scheme aimed to drain Phillip's trust fund.
Η ιστορία εστιάζει στην αδίστακτη μεγαλοαστή του Νότου Ρετζίνα Χάπαρντ Γκίντενς, που αγωνίζεται για πλούτο και ελευθερία μέσα στους περιορισμούς μιας κοινωνίας των αρχών του 20ού αιώνα όπου μόνο οι αρσενικοί απόγονοι θεωρούντο νόμιμοι κληρονόμοι από τον πατέρα μιας οικογένειας. Ακολούθως, οι άπληστοι αδελφοί της Μπέντζαμιν και Όσκαρ είναι ανεξάρτητοι και πλούσιοι, ενώ η ίδια πρέπει να βασίζεται για οικονομική υποστήριξη στον εύθραυστο σύζυγό της Χόρας, ο οποίος υπόκειται σε αγωγή θεραπείας για οξεία καρδιακά προβλήματα.
Τρεις φίλοι ταξιδεύοντας στην Ευρώπη προς αναζήτηση εύκολου σεξ, μαθαίνουν ότι ένα συγκεκριμένο hostel στην Μπρατισλάβα της Σλοβακίας έχει τα ωραιότερα κορίτσια. Εκεί όμως μετά τις πρώτες ηδονές πέφτουν σε μια τεράστια παγίδα της διεστραμμένης ανθρώπινης φαντασίας.
Ο Σάντι είναι ένας ήπιος οικογενειάρχης που βλέπει τη θέση του στην εταιρία όπου εργάζεται σε συνεχή άνοδο. Όλα θα καταστραφούν, όταν μια δόλια γυναίκα, η Νταϊάνα, του κλέβει κυριολεκτικά την ταυτότητα, για να ανέβει αυτή στην ιεραρχία. Σαν να μην έφτανε αυτό, ένας κυνηγός επικηρυγμένων θα βρεθεί να κυνηγάει να σκοτώσει και τους δύο, που θα αναγκαστούν να συμμαχήσουν.
Μετά από έναν χωρισμό, ο Γουές καταλήγει σε έναν απομακρυσμένο Χώρο ανάπαυσης. Βρίσκεται κλειδωμένος μέσα στο μπάνιο με μια μυστηριώδη φιγούρα να μιλάει από έναν διπλανό πάγκο. Σύντομα ο Γουές συνειδητοποιεί ότι εμπλέκεται σε μια κατάσταση πιο τρομερή από όσο μπορούσε να φανταστεί.
Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.
Seeking shelter from a storm, a family finds themselves trapped in a bathroom for days with no sign of rescue and untold evils lurking just beyond the walls.
A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene. Many film critics have interpreted the young man's process of self-mutilation as a metaphor for the self-destructive involvement of the United States in the Vietnam War.
It's 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly's face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan's son finds his father and wants answers. Derek – Kelly's pimp – needs to find Kelly or it will be him who pays.
Ένας επιστάτης παγιδεύεται σε μια τουαλέτα γυναικών και δέχεται επίθεση από μια μεγάλη ομάδα ζόμπι…
A genre-bending tale of a boy trying to fulfill his unrequited love for a girl who has risen from the dead. It tells the story of twin brothers Patrick and Carol Darling, newly graduated from high school and struggling to come to terms with the mysterious disappearance of their friend, the bright and beautiful Wendy Hearst. When a drive through the countryside surrounding their suburban community leads to the discovery of Wendy's mysteriously animated corpse, the boys secretly transport the un-dead Wendy to an empty house in hopes of somehow bringing her back to life. As the sweltering summer pushes on, they must maintain the appearance of normalcy for their friends and family as they search for ways to revive the Wendy they once knew, or, failing that, to satisfy their own quests for love amongst the living and the dead.
A husband and wife are locked inside a single hotel room with a stranger named Ploy. Subtle suspicions build up to jealousy as the young woman triggers devastating consequences for the couple.
The McAllister family house is the setting for Gerry and Ellie's grapples with work, children and how to get the bathroom fixed. Both have reached the stage where reason cannot be heard above the ticking clock of experience and ambition. When temptation comes, how will they react?
Lost in a whirlpool of loss and regret, Harry Bradshaw attempts to find innocence.
Several people get locked in a turkish bath at night, being hunted by a brutal serial killer, who seems to be seized with the T.T. Syndrome, a brain malady that leads to painful sociopathy.
The 1980's an era of female independence, sexual freedom, experimentation, self expression and style. Sometimes. It's 1988, Sammy, Bethan and Jo are bridesmaids at their best friend's wedding. Their outfits are fabulous, their hair do's are huge, the nuptials have been made and the drinks are now flowing. We join our bridesmaids in the midst of the time honoured female tradition...the joint bathroom break.
Danni moves into a New York apartment and starts sprucing the place up. She doesn’t know the previous tenant committed suicide in very strange circumstances. Nor does she know there’s a mysterious portal to another dimension in the bathroom that’s hungry for…. shower curtains! But where does this unusual gateway hidden behind the white tiling lead? That’s what Danni and her ‘Whale Saver’ chugger workmate Tim decide to find out. It’s an investigation into a unique phenomenon full of surprise and unimaginable horror as they both enter The Yonder in a stunningly directed, creatively devised and quirky oddball gem.
When Wendy enters a public toilet heartbroken, unconsciously her tears awaken a darker force and it appears that she is not alone anymore.