First time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child. David Lynch arrived on the scene in 1977, almost like a mystical UFO gracing the landscape of LA with its enigmatic radiance. His inaugural work, "Eraserhead" (1977), stood out as a cinematic anomaly, painting a surreal narrative of a young man navigating a dystopian, industrialized America, grappling not only with his tumultuous home life but also contending with an irate girlfriend and a mutant child.

A ruthless corporate raider is forced to return to his small town roots where he suddenly inherits his father's nearly bankrupt pencil factory, which is the heart and soul of the depressed community. With the foreclosure deadline looming, he must decide to either let it close, or join the community's fight to save it.

The short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, even his physical form, shifts and changes at the whim of the animator.

A young girl is playing on some waste ground when she finds a pencil with a face. Whatever she draws with the pencil becomes real. Just an ordinary day.

After one of the pupils lost his pencil in the classroom, the other children accuse Dika that he stole it. Dika decides to fight for the truth, and luckily his teacher is the only one who believes him.

A Looney Tunes parody of the iconic 1999 film The Matrix.

A pencil tool escapes from the Macintosh interface when no one can see it, as it wants to take a closer look to a wooden pencil on a desk. Afterwards, it attempts to get back onto the screen but the computer has been turned off by an unseen human presence. The pencil tool finally manages to turn on the computer but when it tries to return to the software programme is no longer possible and ends up smacking onto the screen. After the credits, you can hear a sound of the screen shattering.

A short animation based on the poem "Onion" by Wislawa Szymborska.

Two store clerks slacking off at work (at a gas station) on Halloween go on an acid trip. Created by J.G. Quintel the characters were the basis for Mordacai and Benson on the Regular Show. The taller clerk, voiced by Quintel, introduces to the shorter clerk, voiced by Sam Marin, what he describes as a piece of "candy", to which later is learned to be laced with LSD. The characters then go on an acid trip, seeing each other morph into characters and objects. Sam's character is paranoid because he has not had acid before, and they attempt to figure out a plan as to how to "sober themselves up" before they are noticed by work personnel or police enforcement attention.

A practical and theoretical treatise on the artisanal craft of pencil sharpening. The number one #2 pencil sharpener in the world, David Rees takes viewers through the delicate process of sharpening a pencil by hand.

A student tries to grab a magical pencil that seems to keep rolling away on it's own, in this film which is heavily inspired by the German expressionist movement.