Undercover in Tibet reveals the regime of terror which dominates daily life and makes freedom of expression an impossibility. Tash meets victims of arbitrary arrests, detention, torture and ‘disappearances’ and uncovers evidence of enforced sterilizations on ethnic Tibetan women. He sees for himself the impact of the enormous military and police presence in the region, the hunger and hardship being endured by many Tibetans and hears warnings of the uprising taking place across the provinces now.
Vajra Sky is a cinematic pilgrimage to central Tibet, bearing witness to the indomitable faith of its Buddhist community and the imminent threat to its very survival. This poignant journey bears witness to the indomitable faith of its endangered Buddhist community and the imminent threat to its very survival. The vastness of the Tibetan sky, reflecting snowy mountains, rushing rivers, and turquoise lakes, leads the journey west. Tibetans respond to the denial of the human right to practice one's religion without interference with a defiant devotion.
Among the last unclimbed peaks on earth there stands a little-known mountain in a remote region of China. Follow a climbing expedition as they make three attempts over the span of three years to summit the 6060-meter Yangmolong Mountain.
The Nightingale of Tibet is a musical biopic about the life of opera singer Yiga Gyalnang, played by Tibetan singer Namgyal Lhamo. The movie follows the perilous journey of the singer as she escapes illegal detention in an underground Tibetan prison cell to make it across the border to Nepal and eventually to Europe where she finds international acclaim and success.
As a boy, Dawa was an illiterate Tibetan nomad whose life revolved around herding yaks. At 13, his life changed: through a series of visions, Dawa acquired the gift of telling the epic story of Tibet’s King Gesar. Now, at 35, Dawa receives a salary from the government as a guardian of national cultural heritage and is regarded as a holy man by his community. When an earthquake reduces his hometown to rubble, redevelopment of the region takes a giant leap forward. In the midst of such seismic shifts, Dawa seeks healing from King Gesar and other divine protectors of the land.
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
Each year, groups of Tibetan children secretly flee their homeland over the Himalayas to reach schools in India founded by the government in exile. Entrusted to smugglers, they are risking their lives by illegally crossing the great Himalayan range, a towering rampart between Tibet and India. The director will take us in the Mussorie school, in North India, where two thousand four hundred children have been rescued. They have left behind their family childhood and are now considered as orphans. We will discover the itineraries of Sonam, aged nine, and Dholma, the little new girl of the school. Here in India, they are taught about Tibetan culture and will find out about the history of their country and their ancestors. Sonam and Dholma's story is that of thousands of Tibetan children. Are they orphans of a lost country or bearers of hope who will save an endangered culture?
Choenzey is a 47-year-old monk living in a Tibetan refugee monastery in South India. His spiritual master, Khensur Rinpoche, a revered high lama, has been dead for four years. According to Tibetan belief, he will soon be reincarnated. It is Choenzey's responsibility, as his closest disciple, to find the reincarnation and to look after him. The film follows Choenzey's search and his eventual discovery of an impish but gentle 4-year-old boy who is recognized by His Holiness the Dalai Lama and the Tibetan State Oracle to be the reincarnation. Without sentimentality, the film captures the moving relationship that develops between the erstwhile disciple and his young master. (columbia.edu)
Thinley and Nyima are Tibetans in exile in India. Barely able to make a living, they are now expecting a child. Is there still hope despite all these challenges?
In 1963, for the first time, the Dalai Lama allowed a Westerner, Desjardins, to film the heart of the Tibetan tradition. These two films were originally shown on French television in the 1960's and are a wonderful testimony, revealing some of Tibet's foremost masters as they were then. It includes footage of Dilgo Khyentse Rinpoche, the Sixteenth Karmapa, Dudjom Rinpoche, Ling Rinpoche, Chatral Rinpoche, Sakya Trizin, and the yogis Apo Rinpoche and Lopon Sonam Zangpo. "These portraits of the legendary Tibetan masters are not simply a unique historical record, not only a stunning and moving inspiration for now and for the future, but an extraordinary testimony, a treasure." Sogyal Rinpoche.
An intimate portrait of the nuns of Kala Rongo, a rare and exceptional Buddhist Monastery exclusively for women situated in Nangchen, in remote and rural northeastern Tibet. These nuns are receiving religious and educational training previously unavailable to women, and playing an unprecedented role in preserving their rich cultural heritage even as they slowly reshape it. They graciously allow the camera a never-before-seen glimpse into their vibrant spiritual community and insight into their extraordinary lives. Some shy, some outspoken, all are committed to the often difficult life they have chosen, away from the yak farms and herding families of their birth. It is the story of their spiritual community, one that couldn't have existed 20 years ago but is thriving today.
A beautiful documentary film set around Dzogchen monastery in Tibet. It focuses on Kjabje Dzogchen Pema Kalsang Rinpoche, who has been instrumental in the rebuilding and re-establishing of the great monastic seat of Dzogchen monastery in Tibet. In 1998 Rinpoche began the construction of the Lotus Ground Retreat Centre in the secluded meadow of Dzogchen Pema Tung. Having completed the stunning Temple of Great Perfection in 2003, he established the Pema Tung annual teachings and empowerments of the secret heart essence of Dzogpa Chenpo for great numbers of fortunate students. High on the Tibetan plateau, in the hidden valley of Rudam, Kham (Eastern Tibet), is the Buddhist monastery of Tibet. It is home o one of the world's most profound and secret spiritual traditions.
More than 50 years ago, the Tibetan Bon Buddhist tradition was driven from its refuge deep within the Himalayas. This is the story of the long and difficult journey that followed. Told through the lens of one Bon teacher born in exile -- Tenzin Wangyal Rinpoche -- this film reveals something very precious and very old: a rich spiritual heritage, hidden for millennia, whose secret teachings are only now becoming known to the world. There may be no unbroken spiritual tradition more ancient than Bon, which traces its beginnings to a buddha who predates Shakyamuni by thousands of years. Yet this tradition today may be facing its greatest challenge thus far: to preserve its rich heritage beyond the land of its birth.
The accumulated history of Tibet and other issues contributing to the current situation in the region as it relates to China.
