Paris, 1884. The lives of three orphaned children wandering the streets dominated by ruthless criminals change tragically when they carry out a daring robbery.
Andy Clark discovers he was cheated out of a half interest in partner Mike's business, now a thriving dance hall in 1892 Chicago. Unable to win it back, Andy schemes to make Mike's position untenable. He also hopes to turn Ruby Summers, Mike's motor-mouthed burlesque queen, into a classier entertainer, and incidentally to make her his own. But at the last minute, Andy's revenge comes unravelled.
In the 1920s, enterprising Louise Randall is determined to succeed in a man's world. Despite numerous setbacks, she always picks herself back up and moves forward again.
A belly dancer causes a scandal with her suggestive dancing at a Worlds Fair exhibition at the turn of the 20th century.
Mike and Danny fly a cropduster, but because of Danny's gambling debts, a local sheriff takes custody of it. Trying to earn money, they hitch-hike to the World's Fair in Seattle and, while Danny tries to earn money playing poker, Mike takes care of a small girl whose father has disappeared. Being a ladies' man, he also finds the time to court a young nurse.
Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.
The first musical comedy from the Grand National assembly line, Hats Off stars John Payne and Mae Clarke as rival press agents Jimmy Maxwell and Jo Allen. Both have been assigned to stir up publicity for separate expositions at the 1936 Texas Centennial (newsreel footage of which predominates throughout the film's short running time). To throw Jimmy off the track, Jo pretends to be a schoolteacher, but by the time the ruse has been revealed, the two leading characters have fallen in love.
Promoters set up a radio contest to find the average American and use him to sell food, apparel and notions. All goes well until he falls in love with a girl who upsets things.
Two rivals are out to recover a cache of stolen jewels. The thief who originally stole them has just gotten out of prison, however, and he is looking for his twin brother, who knows where the jewels are hidden. Complications ensue.
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
The 1900 Paris World's Fair as seen from Trocadéro.
This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.
