An aging truck driver finds smuggled money and becomes involved with a hijacking crowd.
A self-employed lorry driver is determined to find the criminals responsible for hijacking him.
Днес, след дълъг и уморителен ден в болницата, Анна се прибира вкъщи при съпруга си и проблемите. Утре тя ще трябва да бяга, за да спаси живота си от безмилостни кръвожадни зомбита. Заедно с няколко оцелели, Анна се скрива в търговски център. Те ще трябва да се намерят изход навън преди преследващите им да открият вход...
Полицай Дейв Спиид попада под облъчване при експлодиране на космическа ракета във въздуха, в резултат на което е способен да извършва всякакви чудеса. Въпреки това, всичката тази суперсила изчезва, когато той...
Murugan, with his tools and expertise, protects Puliyoor's villagers from deadly tiger attacks. However, Daddy, an illegal drugs dealer, takes advantage of Murugan's innocence and wrongly frames him.
Влада е шофьор на камион, натоварен със задачата да пренесе тайнствен товар от Косово до Белград. Действието се развива по време на бомбандировките на НАТО в Сърбия през 1999 година.
German vehicle fanatic Dieter 'Didi' accepts to drive a truckload of waste barrels to a French dump site. Didi ignores the plant needs to dump toxic waste after a major incident, which made the international news. But while the French site exploiter's agent Marcel believes it's Did's load, that's in fact a deliberately obvious diversion. Now everyone chases everyone else.
Дребната сервитьорка Джони работи и живее в крайпътно барче. Тя е самотна и копнее за любов. Но се влюбва в шофьора на камион Краски, въпреки, че нейният отвратителен шеф Борис я предупреждава, че е обратен. Може би поради нейния момчешки вид, Краски я харесва. Увлечени, те не забелязват растящата ревност у Падован - приятелят на Краски, която ще ескалира до крайност.
Истински празник за феновете на Стивън Кинг. Той е не само автор на историята и сценарист, но и режисьор на този филм, в който напрежението не спада от началото до края. Въображението на краля на ужасите кара машините по света да оживеят и да предизвикат на смъртен бой своите създатели – хората. И настава ад, нажежен и от маниашкия саундтрак с убийствените парчета на метъл легендите „Ей Си Ди Си”.
The story of Shikkar takes place at Chittazha, a mountainous terrain where bamboo reeds flourish. After much wandering from place to place, Balraman (Mohanlal) a lorry driver has finally settled down with his daughter (Ananya) at Chittazha. Peace evades the man as his past catches up with him, and Balaraman has to risk everything to safeguard his own life and that of his daughter's.
Theo is having some bad luck. His barely paid-for truck has been stolen, and credit collectors are after him. The chase leads him across Europe.
In Texas, the aspirant actress Nicole Carrow runs away home to Los Angeles with her boyfriend Jess Hilts. They drive through a shortcut in an old road, and when they park in a rest stop, Jess is abducted by the sadistic driver of an old yellow truck. Along the night, Nicole is threatened by the sick maniac, while mysterious things happen to her in the place.
Inmates fight, pair off, try suicide and attempt escape at a British reform school for girls.
Long-haul driver Hannes (Manfred Krug) picks up a young hitchhiker, Herb (Jaecki Schwarz), who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna (Jutta Hoffmann) and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.
A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)