看似平凡的一天，护士安娜（莎拉·波利 Sarah Polley 饰）正准备和丈夫路易斯（Justin Louis 饰）共享快乐的周末，却不知一场恐怖、致命的瘟疫正在大肆蔓延。被瘟疫感染的丧失人性，转而变成嗜血如命、残暴无情的活死人。安娜的丈夫和女儿薇薇安（Hannah Lochner 饰）无一幸免，她侥幸从家中逃生，却发现整个城市都已变成活死人的天下，幸存者所剩无几，眼前的世界宛如人间地狱。是时瘟疫蔓延全球，各国都已陷入瘫痪状态之中。 安娜驾车一路逃亡，最终与警察肯尼斯（文·雷姆斯 Ving Rhames 饰）以及其他几名幸存者躲在一家购物中心内。然而这终究不是一个长久的避难场所，活死人闻风而至，时刻都有冲进来的危险。安娜他们必须团结一心，逃出生天……
电影讲述人类与机器对抗的故事，被人类奴役了100多年的机器开始了对人类的追杀。斯蒂芬·金唯一导演过的电影作品，他不仅是导演，还在片头出镜。他邀请了摇滚乐队ACDC为影片配乐，而ACDC十分大方，直接写了三首新歌。其中的WHO MADE WHO真是烘托本片气氛的完美之作。
一名警察奉命去某偏远印第安部落执行任务，然而此刻政府正在此地进行核试验，所有当地居民都已转移。不知情的警察到达此地后发现空无一人，正要离开时遇到一条鳄鱼，当他对鳄鱼鸣枪示警时，不偏不倚正好打中天上正下落的导弹并发生爆炸。幸运的是遭受爆炸核辐射后该警察具有了超能力，于是他化身 “超能警察”运用超能力打击犯罪。 可惜和超人一样，他也有致命的弱点：只要一看到红色物体，超能力便会丧失。（豆瓣电影）
厌倦了碌碌无为的平庸生活，德州女孩妮可·卡洛（詹米·亚历山大 Jaimie Alexander 饰）与男友杰西·希尔斯（乔伊·曼迪西诺 Joey Mendicino 饰）离家出走，驾车前往洛杉矶追寻她的表演梦想。两人一路前行，伴随着聊天、温存和争吵。期间他们迷路，汽油又所剩无几，好不容易才找到一个偏僻破旧的休息站。在使用过附近那昏暗、肮脏的洗手间后，妮可发现杰西和汽车竟然凭空消失。在这个收不到任何信号、杳无人烟仿佛与世隔绝的地带，她顿时陷入孤立无援的困境。 然而妮可的厄运并未就此结束，一辆神秘的黄色小卡车对她展开攻击，而各种各样离奇古怪的事件也相继发生……
一个男人爱上了一个假小子式的女孩，而他爱上她的原因只是因为最初他以为她是男孩。而她爱上他只是因为他是男人。当女孩确证他是同性恋时非常痛苦，而她仍然决定将这段恋情继续下去……
当森林附近的一个小村庄受到食人虎和毒品黑手党的威胁时，村民们向不可阻挡的力量寻求帮助，无敌的猎人：穆鲁甘
Inmates fight, pair off, try suicide and attempt escape at a British reform school for girls.
German vehicle fanatic Dieter 'Didi' accepts to drive a truckload of waste barrels to a French dump site. Didi ignores the plant needs to dump toxic waste after a major incident, which made the international news. But while the French site exploiter's agent Marcel believes it's Did's load, that's in fact a deliberately obvious diversion. Now everyone chases everyone else.
The story of Shikkar takes place at Chittazha, a mountainous terrain where bamboo reeds flourish. After much wandering from place to place, Balraman (Mohanlal) a lorry driver has finally settled down with his daughter (Ananya) at Chittazha. Peace evades the man as his past catches up with him, and Balaraman has to risk everything to safeguard his own life and that of his daughter's.
隐约的炮火声中，镜头走入1999年北约轰炸塞尔维亚期间，卡车司机斯蒂凡诺维奇为赚取更多金钱，从科索沃运送货物到贝尔格莱德，他驾车穿越领土，见证战火蹂躏的国度。他在路上遇见了一个自称来至贝尔格莱德的年轻人。面对这个快冻僵的年轻人，好心的他打破了雇主说的“不许停车”规则，与其结伴而行。影片采用类似公路电影的手法，在阴郁和漫天灰尘的色调下，像河上泛起的涟漪展现出被轰炸期间的塞尔维亚境况，并巧妙地将巴尔干半岛政治混乱的历史贯穿其中。孤独又令人不安的旅程，反映着战争对国家和民族的摧残。
A self-employed lorry driver is determined to find the criminals responsible for hijacking him.
Long-haul driver Hannes (Manfred Krug) picks up a young hitchhiker, Herb (Jaecki Schwarz), who had a falling-out with his parents after dropping out of college and now travels around doing odd jobs. After a series of adventures, they are joined by Johanna (Jutta Hoffmann) and her child, who missed their bus and need a ride to Berlin. Johanna has left her husband so that he can reflect on their broken relationship and both men gradually begin to fall in love with her.
Theo is having some bad luck. His barely paid-for truck has been stolen, and credit collectors are after him. The chase leads him across Europe.
An aging truck driver finds smuggled money and becomes involved with a hijacking crowd.
A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)