The story of a destiny that leads four chosen women to join forces against a dark magic threatening their lives.
In a battle of mantras, Dharka and Brahma vie for the Trishanku Mani. But when Jois is found dead, the disturbed Ashta Dhigbandana alerts Dharka to the stone`s presence in the house. Now, a junior artist posing as the long-lost son must fight to save the family from the real son`s dark magic
When a family moves into a new home, they unwittingly become entangled in a mysterious black magic case unrelated to them. As unexplained occurrences escalate, the family must navigate eerie and unsettling events within their house, unveiling a dark plot, that may cost them everything.
A man claiming to be a spiritual medium is hired by a woman concerned that her party-loving daughter is under the influence of black magic, however, things soon go awry.
Teenagers encounter a sorceress and her minions.
Atharva, a family man, takes his family for a vacation and unfortunately gets trapped in black magic by a stranger named Pratap.
After the family moved to the new home, their daughter is possessed by a male demon, which is the same man in an old painting.
The film deals with the supernatural and starts with the death of a criminal (Mantra Shiba ) in a shoot out . Before dying, through his supernatural powers, he implants his spirit into the body of a talking doll. This talking doll is stolen and sold at a cheaper price to a young working widowed woman, who buys it for her young son as a birthday gift .
Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor
Set in a Medieval town, the film has a theatrical quality, as the behaviours and actions of the characters are exaggerated almost to the point of satire. Nevertheless, its relatively dark and heavy plot yields over-the-top expressions from the actors. There is little dialogue as the story opens: a mother is seen tending to her sick daughter, whom she is then told must be sacrificed to the forest. The viewers patiently but curiously watch the mother perform healing rituals with objects like egg shells, dried plants and twigs–also recurring in the installation–until the daughter mysteriously disappears.
Two strangers - Ruth, a burn unit nurse and Conrad, a shipyard worker - cross paths over a strange weekend in Seattle.
Two black magic shamans clash when their clients have them casting various love spells, leading to death and misfortune.
Witch Anggun (Devi Ivonne) is always on the lookout for beautiful young women to sacrifice. She thinks she finds the perfect new sacrifice in fellow witch Ayu (Hazni Zulaikah H), who's looking to give up her evil ways. However, it proves to not be such an easy task as Ayu has a mystical protector named Iman (Harry Capri).
Out of the spiritual chaos of the 1960s, more strange cults and unorthodox messiahs have emerged than ever. Charles Manson is seen as the annoying result of libertarianism of the 1960s - the Cain who murdered the Abel from The Love Generation. Or in the words of one commentator; "the Elvis of alienation."
Herbalist Li (Chin Siu-ho) wants to lead a quiet life. Unfortunately for him, he spent twenty years at the home of Zhenzhu (Woo Heung Chun) and her father. Now that the old man has passed on, she's eager to marry Li even though he isn't remotely interested in her.
Forced into a marriage by her parents, Dalila, is restless and despondent. When her husband, Muslim, slips into a coma after a bad accident he awakes to his wife’s gentle care, but is haunted by the visions of the future that have plagued him during his comatose state…. What do the visions foretell? What dark secret lies behind his new wife’s smile? Witness this terrifying film that will scare the fearless and chill the spine of your bravest soul.
Someone makes the mistake of messing with Indian magic.
A young woman and her undead mother take on some greedy real estate developers who will stop at nothing to get their land.
This is a sequel to the film Guna-guna Istri Muda ("A Young Wife's Witchcraft"). The husband, Arifin, realizes his bad behavior and divorces his second wife, Sandra, to go back and live with his first wife, Tati. Sandra is vengeful about the one-sided divorce. She asks for the shaman’s help, to use black magic to destroy Arifin’s family. Chaos ensues in the family, including during a wedding reception of the son. At a critical moment, a savior arrives.
A battle of black magic, revenge, death and assorted Indonesian weirdness occurs between Arifin, his first wife Tati, his second wife Sandra and playboy Anton, who is after Arifin's wealth (and Sandra). Two different shamans (one good and one evil) become involved in the jacked up love triangle.