市井夫妇的庶民剧。描述的是大阪郊区低下阶层的日常生活，表现了一位没有孩子的家庭主妇(原节子饰)的失意的心态。在大阪生活的夫妇初之辅和三千代，他们的侄女从东京前来拜访。整天在家操持家务的三千代对年轻侄女的奔放轻浮的举止感到不满，也厌烦疲倦于机械般的家务琐事，于是返回东京父母家，借此时机开始思考自己的生活方式。《饭》改编自林芙美子原作，是一部优秀的心理描绘情节剧，用最少的情节和最多的表情刻画人物。庶民剧的经典之作，位列当年《电影旬报》年度十佳第二位。
影片《遁入寂静》纪录了阿尔卑斯山顶上一个老修道院的生活。没有音乐，没有刻意的灯光照明，没有布景道具，没有旁白，只有少数简单的字幕。导演格罗宁（Philip Groning）孤身一人，4个月的孤军作战，两年半的剪辑，带来164分钟的寂静。
A snake creature secretly lurks inside a shopping mall. A family is fed a meal that turns them into monsters. An airplane hijacking is interrupted by the birth of a tiyanak.
On Christmas Eve, a former thief, recently released from prison, stops a forlorn, destitute, despairing young woman from committing suicide. She's from the country and hasn't been able to find her boyfriend who came to the city earlier. The ex-con suggests having a little party together, but both are flat broke. He realizes there's an obvious solution.
A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.
Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.
A man sits at the table and eats his meal...with rather unusual effects.
We follow the course of three meals in very different situations. Two friends who could become more, a tense work lunch and the family dinner we all know about.
A mother and her son find themselves in an awkward situation where they live in the same building but they're separated due to different reasons. Mahmood develops a system to solve this issue and the situation starts to heat up.
Short newsreel on why personal thrift feeds the Depression.