결혼한 지 5년이 되어가는 미치요와 하쓰노스케는 점차 서로에게 권태를 느끼기 시작한다. 하쓰노스케는 작은 회사에서 증권 중개인으로, 미치요는 집안일을 하며 일상을 보낸다. 그러나 그들의 틀에 박힌 생활도 하쓰노스케의 조카인 사토코의 갑작스러운 방문으로 균열이 일어나는데...
해발 1,300m 알프스의 깊은 계곡. 그곳에 누구도 쉬이 들여다 보지 못했던 고요함의 세계가 있다. 해가 뜨고 달이 지고 별들이 나타났다 사라지길 반복하는 계절 속에서 영원을 간직한 공간을, 그들만의 시간을 만들어 나가는 이들이 있다. 그리고 우리는 그저 조용히 그 일상의 깊이를 바라본다. 처음이자 마지막이 될 카르투지오 수도원의 일상을 담은 침묵으로의 여행.
A snake creature secretly lurks inside a shopping mall. A family is fed a meal that turns them into monsters. An airplane hijacking is interrupted by the birth of a tiyanak.
On Christmas Eve, a former thief, recently released from prison, stops a forlorn, destitute, despairing young woman from committing suicide. She's from the country and hasn't been able to find her boyfriend who came to the city earlier. The ex-con suggests having a little party together, but both are flat broke. He realizes there's an obvious solution.
A traveler stays the night at a rural inn, but gets no rest as he is tormented by various spectres and mysterious happenings.
Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.
A man sits at the table and eats his meal...with rather unusual effects.
We follow the course of three meals in very different situations. Two friends who could become more, a tense work lunch and the family dinner we all know about.
A mother and her son find themselves in an awkward situation where they live in the same building but they're separated due to different reasons. Mahmood develops a system to solve this issue and the situation starts to heat up.
Short newsreel on why personal thrift feeds the Depression.