After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.

A woman discovers the infidelity of her late husband.

“Never, ever, publish them!” What was it Jackie Kennedy wanted to keep secret? Acclaimed director Patrick Jeudy has access to a series of conversations recorded a few months after her husband’s assassination in Dallas on November 22, 1963. The Lady in Pink was continually driven by a dual purpose: that of molding her own image, whilst managing that of the president. She cannot change the past, so she may as well rewrite it and start to build the legend of JFK.

An old widow is stuck in her daily routine and her loneliness brings her back to the memories of her late husband.

Widow Jean Miller thinks she's ready for a new romance with her high school sweetheart, Sam Morrissey, a physician of considerable means. The only thing standing in the way of rekindling this first love is the presence of his very attractive, very together 39-year-old girlfriend, Claire.

A documentary film directed by French Agnès Varda as an extension of the exhibition 'L'île et elle'. The installation 'Les veuves de Noirmoutier' (or 'The Widows of Noirmoutier') had various women filmed by Varda, young and old, who spoke about their widowhood and their residence on the island of Noirmoutier. The film is a montage of these meetings, which are both simple and melancholic.

A woman's two sons pretend to be insane in order to de-rail their mother's plans to remarry.

倫敦著名刑案辯護律師韋菲爵士（查爾斯‧勞頓 飾）接受了心臟病治療，但是身體依舊虛弱，第一天回家休養，護士一直嚴厲監督他服藥，並杜絕煙酒。管家為了便於上樓，還專門為他修了電梯。但是，種種關心照顧，對於這位桀驁不馴、牙尖嘴利的大律師根本不起作用，反倒是一紙訴狀令他倍感興奮。律師梅休和當事人沃爾（泰隆‧鮑華 飾）登門拜訪，請他出山打官司。原來，沃爾結識了富婆，兩人相見甚歡，雖然僕人對他發明的打蛋器充滿鄙夷，但是富婆卻對他充滿愛意，甚至為他修改了遺囑，把8萬英鎊留給了他。然而，富婆卻慘遭毒手。於是，沃爾成為警方的頭號嫌疑犯。他的唯一證人是妻子克裡斯汀（瑪琳‧黛德麗 飾），然而後者登門時的冷漠與淡定，令韋菲爵士懷疑這其中另有隱情。在撲朔迷離的案件背後，隱藏著一個個環環相扣、不可告人的秘密…… 本片改編自阿加莎‧克裡斯蒂同名小說。

War widow Reiko rebuilds and runs the grocery shop in the house of her husband's family. Many years later, their business is threatened by a newly built supermarket and Reiko's in-laws plan to convert their small shop into a supermarket, to her detriment.

Pablo, a wandering laborer, has imprisoned himself in a hell of alcoholism. Cruz, a widow, reaches out to the troubled man, but even her compassion may not be enough to save him.

義大利重鎮米蘭吸引大批從南方前來謀生的難民，洛可兄弟一家人決定去米蘭找尋定居的大哥維契。樸實的一家人見到都市的奢華景象異常興奮且充滿希望，然而家人間的衝突緊隨而來，母親在無法忍受大哥未婚妻的驕慣與輕蔑，憤怒離開決定住進與一般貧民沒有兩樣的低級公寓，一家人有機會再享天倫之樂嗎？

Kyoko Otonashi is a 22-year-old widow. Six months have passed since the sudden death of her husband, Soichiro. In her resolve to move on, she has recently taken over the management of a boarding house owned by her father-in-law. She now finds herself reminiscing about the few seasons that she and Soichiro had together, and about the first time that she saw him: when he became her geology teacher during her final year of high school. This prequel is the third and final OVA released after the conclusion of MAISON IKKOKU, an animated series based on the manga by Rumiko Takahashi. The past events are retold through flashback sequences using scenes from the television series, with narration by Sumi Shimamoto as Kyoko.

美國南北戰爭前夕，南方農場塔拉莊園的千金斯嘉麗（費雯·麗 Vivien Leigh 飾）愛上了另一個農場主的兒子艾希禮（萊斯利·霍華德飾），遭到了拒絕，為了報復，她嫁給了自己不愛的男人，艾希禮妻子梅蘭（奧利維婭·德哈維蘭 飾）的弟弟查爾斯。 戰爭期間，斯嘉麗成為寡婦，失去母親，挑起生活的重擔， 不再是當初的千金小姐；戰爭結束後，她又兩度為人妻，嫁給了愛她多年的投機商人瑞德（克拉克·蓋博 飾）。 然而，縱使經歷了生活的艱苦，斯嘉麗對艾希禮的感情仍然沒有改變。艾希禮妻子梅蘭的去世，給了斯嘉麗一個機會，一邊是深愛自己的丈夫瑞德，一邊是心心唸唸多年的艾希禮？斯嘉麗會給自己怎樣一個不一樣的明天？

媽媽桑keiko（高峰秀子飾）是銀座Club的老闆娘，年屆三十，正值人生轉折期，面對著再婚與事業的抉擇猶豫不決。Keiko早年喪夫，婚姻一直沒有起色，事業方面生意也日漸冷清，心境蕭條的她只將生活重心放在照顧年輕一代的公關小姐junko、yukiko們身上。Club年輕的經理（仲達代矢飾）暗戀keiko，但以事業為重的他不願表白，則通過與yukiko的肉體關係來淡化心裡對keiko的情愫。然而，難以控制的情感讓他最終鼓起勇氣表白，心境蒼涼的keiko會接受嗎？ 　　戰後日本大眾悱惻的心境在大師成瀨巳喜男冷靜的長鏡頭下表露無遺，該片風格是濃重的現實主義色彩，以一個女人的獨白貫穿始末，具有濃郁的文化氣息。

查爾斯勞頓（Charles Laughton）執導，最具表現主義色彩的電影。該片在當時上映後影評不佳票房慘敗，今日被譽為美國二十世紀50年代最偉大的經典之作。約翰（Billy Chapin 飾）的父親本（Peter Graves 飾）為了一萬塊錢殺人。他藏好錢，然後囑咐兩個孩子不要告訴任何人，包括他們的母親薇拉（Shelley Winters 飾）。立即趕來的警察抓住了約翰的父親，並判了他死刑。他死後，一個神秘男子出現在薇拉身邊，娶了薇拉，原來他是曾與本同房的囚犯。 這是一部完全不同於好萊塢模式的影片，描寫一個變態的假傳教士哈利包威爾（Robert Mitchum飾），左手刺著「恨」，右手刺著「愛」。他跟一個帶著兩個孩子的寡婦薇拉結婚，目的是為了找到她前夫盜得的財寶。大人們信任他，而孩子們反而離他遠遠的。

Widowed shopkeeper Cesira and her 13-year-old daughter Rosetta flee from the allied bombs in Rome during the second World War; they travel to the remote village where Cesira was born. During their journey and in the village and onward, the mother does everything she can to protect Rosetta. Meanwhile, a sensitive young intellectual, Michele, falls in love with Cesira.

After a worker kills a superior and commits suicide, each of his family members attempts to forge a path forward in life.

In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.

A gang of thieves has jeopardized the city and even the police, whose chief urges their forces to captured the band within 48 hours. Meanwhile, band members meet in a cafe run by a widow and her daughter and her suitor, Cantinflas, who maintains a scuffle with the robbers running all at the station. Since then, Cantinflas become a member of the police force for special missions.

A man is involved in a fatal car accident, and though he is blameless, his company transfers him to a remote branch in a small town. Before he leaves, he gives the man's widow a large sum of money that she uses to move back to her hometown.