A music teacher is in love with Helen, one of his students, but she rejects him. In his hurt he joins an anarchist group who plan to blow up a rich capitalist's house. When he realizes it's Helen's house, he tries to stop the plan.
Two dastardly men conspire to keep their ward from marrying in order to maintain control of her vast fortune.
Miss Ledyia, daughter of American millionaire Mr. Katson, vacationing in A Toxa (Galicia, Spain), will try to abort an Anarchist assassination plot against the King and Queen of Suavia.
A young heiress of an American gun factory is threatened by a masked man after her father was murdered. This criminal might be a member of her family or a German agent, who wants to get information about the factory's products, perhaps his mystery has a combined solution - we will probably never know...
Jacala, a strong-willed, temperamental ranch girl, inherits her father's millions and moves from Montana to New York, determined to earn a place in society.
An heiress takes a road trip in a green van. Unbeknownst to her, she has four pursuers.
A flirtatious hotel orchestra leader provokes conflict.
Renée (Mae Murray) is the heiress of a Mexican ranch, granddaughter of a woman known for her recklessness and frivolity at night. This first "Mademoiselle Midnight" is banished in the opening scene by Napoleon III at Empress Eugenie's insistence to Mexico. Renee is kept locked at the hacienda at night by her father to prevent her following in her grandmother's wayward footsteps. She falls in love with a visiting American (Monte Blue) but is also pursued by the craven outlaw Manuel Corrales. Miss Murray gets to do some of her trademark dancing, but this one isn't a comedy, despite comic relief provided by Johnny Arthur.
All the qualified men line up to be chosen, as an heiress advertises that she will marry the man with the most interesting mustache, that marriage which comes with a mansion. John Syrup Soother wins the marriage to who he believes is the heiress, Olive Palmer, a tank of a woman who has lost her beauty with age. But he learns that he his betrothed is not the heiress, Diana Palmer, but her mother. Howson Lotts, a shyster and one of Diana's other suitors, sells John a beach-front house for his new life, that house which is not all that it seems on the surface. In the meantime, others still will do anything to be Diana's betrothed, that choice in which John now has a different but still vested interest.
An impoverished British lord (Paul Menford) impersonates a doctor in order to woo an ailing American heiress (Dorothy Adams). The lord is in it for love, but his business associate (Joe Diamond) smells money.
A rich but hypochondriac heiress inherits a sanitarium. What she doesn't know is that it is a front for bootleggers, and a hideout for criminals on the run from the law.
Vitaphone production reels #2471-2478; third Warner Bros. feature film - the first being The Jazz Singer and the second Tenderloin - to include talking sequences, along with the by now usual Vitaphone musical score and sound effects. A copy of this film survives at the Library of Congress in Washington, D.C., but the sound disks are lost.
A successful songwriter, dazzled by high society, falls for a society girl who is just playing around.
A coquettish socialite falls for a straight-laced associate in her father's law firm. But she must also fend off the advances of a greedy fortune-hunter and his sister.
Spendthrift Willie Hale again returns penniless to the family home in London. His father is none too pleased, but Willie smooth-talks him into letting him stay. At the same time he turns the charm on Dorothy Hope, whose father is big in linoleum and who, before Willie's arrival, was about to become engaged to a Russian aristocrat.
A notorious womanizer sets his sights on a pretty American tourist, only to be told by his doctor that he must give up all romance for his health.
Heiress learns to fly from aeronautical engineer. Things get complicated as their affair progresses.
William Poster writes a gossip column for the Morning Gazette. He will write about anyone and everyone as long as he gets the credit. He gets most of his information from his showgirl gal-pal, Peggy. Eventually Bill's reckless tattling gets him in deep trouble with friends and enemies, putting his career and life in jeopardy.
Soon after being wed, American heiress Lady Pearl Grayston realizes her husband has married her for her money and is keeping a mistress. The two maintain a loveless marriage, a trade-off Pearl accepts in order to gain admittance to her husband's aristocratic social circle. While Pearl pursues her own affair with gigolo Pepi D'Costa, her visiting sister, Bessie, arrives and is appalled when Pearl's arrangement is revealed.
An heiress abandons an out-of-work husband, two sons and a lovesick daughter.