O sargento Roy Miller, destacado para o Iraque em 2003, está seguro de que há armas de destruição maciça no deserto. Mas à medida que percorre cada suposto local, Miller descobre evidências de uma elaborada conspiração. Com cada lado do conflito interessado em fazer contrainformação, a verdade torna-se na arma mais valiosa de todas...
When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.
After freeing Baghdad from its terrible ruler, Aladin delays his marriage to the princess until a new dictator arrives to take over the city.
A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.
2003. A guerra no Iraque torna-se cada vez mais ameaçadora. Em Roma, Attilio (Roberto Benigni) poeta, está apaixonado por Vittoria (Nicoletta Braschi) e todas as noites sonha com o casamento de ambos. Mas Vittoria não mostra interesse por ele e perde a paciência perante os esforços de sedução deste poeta teimoso e irracionalmente apaixonado. Um dia Attilio recebe uma chamada de um grande poeta iraquiano (Jean Reno) cuja biografia Vittoria está a escrever em Bagdad: Vittoria foi vítima de um dos primeiros bombardeamentos anglo-americanos na cidade e está moribunda no hospital. Animado pelo seu amor louco e a fim de salvar a sua amada Attilio parte para o Iraque…
Após se aposentar das forças especiais do Reino Unido em 2004, Fergus vai trabalhar em uma firma de segurança privada no Iraque, uma das atividades mais lucrativas do mundo. Ele convence seu amigo de infância Frankie, ex paraquedista, a entrar com ele no negócio. De volta à sua cidade, Liverpool, recebe a notícia de que Frankie morreu na Route Irish, estrada iraquiana considerada a mais perigosa do mundo.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
Between the years 1950-51 close to 130 thousand Jews left Iraq. The most ancient community in the world ceased to exist.
Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.
2006, Baghdad is ravaged by sectarian violence. Haifa Street is the epicenter of the conflict. Ahmed gets dropped off there by a taxi on his way to his beloved Suad's home to ask for her hand for marriage, he gets shot by Salam, a sniper who's living his own personal hell on a rooftop above.
The film – documentary “Shooting vs Shooting” presents a group of astonishing stories about journalists who were afflicted in the Iraq war, by following a journalist’s journey in Baghdad in 2009 and the story of a mother who seeks for an answer to the question why her son got killed while his only weapon was his camera. “Shooting vs Shooting” narrates incredible moments and adventures, reveals unknown sides to the facts and shows the dramatic stories of media workers who lost their lives, trying to freely broadcast the truth to the public opinion. Through the documentary, we witness the absurdity of war, the responsibilities of governments and armies and the atrociousness of blinded fanatics.
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.
