A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.
A skeleton dances joyously, often collapsing into a heap of bones and quickly putting itself back together.
The professor shows his power to Mephisto by mysteriously placing a young lady in a swing. Mephisto then shows his power by making the young lady disappear from the swing, to the surprise of the professor. The professor makes another mystic pass and produces a second young lady then in the swing, and also a skeleton.
Two sets of images are superimposed. From the side, we see a two-masted ship. Across the deck walks a skeleton. It sits down, its legs akimbo. The legs separate and continue a dance while the body of the skeleton faces us and the skull moves its jaw bone. It rises and the legs rejoin the skull and body for an additional jig back and forth on deck.
An Egyptian prince has lost his beloved wife and he has sought a dervish who dwells at the base of the sphinx.
In this hand-colored short, a magician and his assistant do a series of magic tricks, including making potted plants appear, among others. Melies played the magician, and the actor Manuel played his assistant.
The clock strikes midnight, the bats fly from the belfry, a dog howls at the full moon, and two black cats fight in the cemetery: a perfect time for four skeletons to come out and dance a bit.
Mickey seeks shelter from a storm in a house that turns out to be haunted. The skeletons command him to play the organ; they dance and play along.
Piggy and Fluffy have adventures on a riverboat and Uncle Tom is chased by skeletons promising to take him to Hallelujah Land. One of the "Censored 11" banned from TV syndication by United Artists in 1968 for racist stereotyping.
A dark and stormy night. Pluto is spirited away to the spooky mansion of an evil genius for a mad transplant scheme to put his head on the body of a chicken. Mickey gives chase, but find himself threatened severely by the house and its denizens.
Oswald the Rabbit comes to the rescue when a peg-legged sheik abducts his girlfriend and brings her to a mysterious pyramid filled with walking skeletons, animate hieroglyphics and other strange sights.
Popeye, Olive, and Wimpy stumble across a ghost ship. They climb aboard, and it proceeds to scare them in various ways.
Rod Drew hunts for a missing girl and finds himself in a fight over a goldmine as well.
The dead and the skeletons, coming out of the ground, indulge in playful dance to the music of Camille Saint-Saëns, and rejoice in the terror that they inspire.
The ghost of a murdered man returns to Earth to help a young couple find his killer.
Kurt Ingston, a rich recluse, invites the doctors who left him a hopeless cripple to his desolate mansion in the swamps as one by one they meet horrible deaths.
Boston Blackie, in the 11th film of the Columbia series, indulges in some wit-trading with a squirmy spiritualist who deals in blackmail, murder and the occult. "Blackie" out to help his pal, "Runt," recover some jewels, finds himself involved in the homicides, and also finds himself as the prime suspect, and now has to find the real culprit in order to clear himself. So "Blackie,", a man of many talents and already a proved magician from cases past, shows he knows a little bit about dancing skeletons, walking phantoms and spiritualism himself, and holds a séance to unmask the murderer.
An archaeologist at a museum scolds his small, silent dog, Shep, for supposedly removing a bone belonging to a dinosaur skeleton and orders Shep to bring the bone back, but Shep finds that the place where he buried his most recent bone has been dug up and a bulldog is walking away with the bone in his mouth. Shep chases the bulldog with intent of retrieving the bone, and so begins a battle of wits between Shep and the bulldog.
A teaching film about the human skeleton with animated medical illustrations as well as an actual skeleton with commentary. A man, naked to the waist, also demonstrates the relevant anatomy. X-ray cineradiography illustrates the movement of the arm.
Part two of two teaching films about human anatomy which is devoted to the action of the skeletal muscles in producing movement of the bones at the joints of the human skeleton. It uses live action and animated medical illustrations as well as an actual skeleton with commentary. A man, naked to the waist, also demonstrates the relevant physical processes such as respiration.