The film explores the history of the word throughout its inception to present day. Woven into the narrative are poetry, music, and commentary from celebrities about their personal experiences with the word and their viewpoints. Each perspective is unique, as is each experience... some are much more comfortable with the word than others.
Who are the people behind the international anti-Covid-vaccine movement and why are they doing it? This journey inside the astonishing world of the anti-vaxxers finds out.
From A for accent to Z for zero - everything you wanted to know about the English language.
A story about a relationship with problems. She is upset at how Swedish speaking Finns are treated in their home country. He is seriously constipated. Will the relationship survive when her idealism clashes with his biological needs?
The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.
The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.
This film, directed by Dominique GAUTIER, takes the viewer on a worldwide excursion into the history and structure of the Esperanto language, introducing its present-day speakers. The words of these users of the language are reflective of a variety of activities and viewpoints, and in the film they are interwoven so as to reveal bit by bit how the utopia of its initiator, Ludwig ZAMENHOF, is concretised every day.
A blind man and a mute girl are in a room. How will they communicate?
This MGM John Nesbitt's Passing Parade series short takes a look at the origins of North American slang.
Richard Alwyn's intensely moving film, inspired by the experience of his brother-in-law, follows two stroke survivors who can no longer take language for granted.
This Is Not About Me tells the story of Jordyn Zimmerman. Jordyn dreamt of becoming a teacher. She started out eager to learn at school, but she was soon separated from the other children. Unable to communicate, teachers thought she was also unable to understand or learn. Year after year, her behavior worsened. She was restrained and placed in seclusion. Jordyn found herself caught in a system that unintentionally turned her life into a living nightmare. Finally, at the age of 18, with the help of educators who see her differently, she manages to turn her fate and flourish.
In southern Carinthia, about ninety percent of all inhabitants spoke Slovenian before 1910. Today it is on average a single digit percentage. In this very personal essay documentary, Andrina Mračnikar formulates a political urgency: What happens when one's mother tongue is taken away in everyday life. What must politicians do to counteract the disappearance of a language whose protection is enshrined in the Austrian constitution.
An elderly woman (Edith Ivey) visits the local car wash and lube to connect with the world closing in around her.
A deafblind Danish woman travels to Nepal to meet a woman with the same condition in the hopes of communicating and engaging in a cultural exchange. A Woman Like Me is a remarkable demonstration of the delicacy and complexity of human communication, and how susceptible it is to privilege, preconceptions and misunderstandings.