Two prospectors in Africa, Tony Cooper and Dalton come across a skeleton that has nearly been picked clean by vultures. They find a letter on the body addressed to a clerk in London named Wilkins . Cooper goes to Wilkins in London and tells him that his brother, whose body they had found, has left a map and a deed to a large diamond mine. Wilkins decides to go to Africa with Cooper to find the mine and, in order to speed up and finance their venture, they give a third interest to Carol Reade and her partner John Trevor), who operate a barnstorming airplane service. In Africa, close to the mine location, they are greeted by some tough gentlemen named Collins and Quincy who have terrorized the natives and lorded over the region, who quickly discover the reason for the party's mission. They join, unasked, in the race for the diamonds. The race is interrupted by the death of Trevor who is found knifed in his bunk.
White hunter Allan Quartermain and his enigmatic guide help a young Irish woman locate her missing father in unexplored Darkest Africa.
In 1880 South Africa, young Betsy has an adventure involving Zulu Tribesmen, Dutch Settlers, The Vortrekkers, and her older brother's romance of Katie Snee.
An expedition into the deep jungle discovers a native tribe led by a tall Caucasian blonde woman.
A classic South African comedy in which a young Jamie Uys plays producer, writer, director and star, and his wife Hettie Uys the romantic interest. Somewhere in the bushveld, Hans Botha is doing the usual farm rounds when his friend and neighbour comes around with an urgent request: please collect the new teacher at the bus stop. The shy Hans is alarmed, saying he does not know how to talk to women. Prevailed on nevertheless, Hans sets off in his old jalopy, which for good measure has no brakes. He eventually arrives at the bus stop, where the teacher, Martie, is waiting patiently. She is pretty and young and the already flustered Hans proceeds to flatten her hatbox, allow the car to run off with her, and dump her in the river. By the time Hans says goodbye, Martie is angry and he is in love
In the back country of South Africa, black minister Stephen Kumalo journeys to the city to search for his missing son, only to find his people living in squalor and his son a criminal. Reverend Misimangu is a young South African clergyman who helps find his missing son-turned-thief and sister-turned-prostitute in the slums of Johannesburg.
This Traveltalk series short gives a glimpse into South African history, albeit from a white person's viewpoint. South Africa is a union of four separate states: the Transvaal, the Orange Free State, Natal, and the Cape Provence.
This Traveltalk series short visits South Africa, including Cape Town.
When the great potato famine hits Ireland, the diaspora begins as thousands emigrate. Among those leaving the Emerald Isle is Katie O'Neill and her husband, who decide that the promised land is South Africa and make their way there. Once there, they discover the hardships that are the reality of the homesteader experience.
The sequel to 1956's "Liane, Jungle Goddess" finds the title character still a jungle goddess, but captured by slave traders.
One of the earliest exploitation films from South Africa, directed and produced by independent film maker Pierre D. Botha. This is a classic example of a ‘restless youth’ film. The action takes place in Johannesburg (The Godless city of the title) and focuses on the youth sub culture of the ‘Ducktails’ (“a white youth gang subculture which emerged within post Second World War South Africa. Rebellious, hedonistic, apolitical and showing little respect for the law, education or work”).
A grandfather is fed up with his stubborn son, who doesn't want to accept a penny from him to develop his farm. So the old man decides to bring his 18 year-old granddaughter Martie to live with him in the city.
Hans and Sydney are on a bus tour to the Cape. Hans is Afrikaans; Sydney is English. They chat up two pretty young women - and also quarrel between themselves all the way. Finally the tour guide kicks them off, forcing the two men to walk back to Johannesburg hoping that, despite the language barrier, they can finally get along.
Luke Billings (Lionel Jeffries) and his family have a problem with the new police sergeant Sam Hargis (Richard Todd) so they take over a small Transvaal town with the attention of drawing Hargis into a showdown. Hargis tries to get back up from the townsfolk who do not want to know, so is forced to lay low. As things get out of hand one of the Billings boys takes an interest in the storekeeper's wife, Priss Dobbs (Anne Aubrey). Having had enough her husband, Ernie (Jamie Uys) takes up the gun and heads down the main street alone. An act that prompts Hargis to join him. Slowly, the townsfolk turn up to back them up.
The story begins when Toby (Ivan Jackson), a young English businessman, arrives in South Africa to take charge of a publishing firm. He knows little about apartheid and so at first sees no contradiction in developing a relationship with an elite, upper-class white woman and with a woman dedicated to fighting apartheid. But as Toby makes friends with one of the black South Africans (Zaku Mokae), and as he registers both the subtle and more obvious, deep-seated racial prejudices of the minority white population, some of the truth of the oppression here begins to dawn. That is brought to a head when tragedy strikes.
In 1879, during the Anglo-Zulu War, man-of-the-people Lt. Chard and snooty Lt. Bromhead are in charge of defending the isolated and vastly outnumbered Natal outpost of Rorke's Drift from tribal hordes.
A group of men are on safari. One of the party refuses to give a gift to a tribe they encounter. The tribe is offended, seizes the party, and one-by-one, kills all but one of the safari members in various creative and horrifying ways. The last surviving member is given "The Lion's Chance" by the tribal leader to be hunted down by a party of tribal warriors.
In Africa, a professional hunter kills a male lion which is sacred to a local tribe which also practices voodoo; and when he returns to England, he finds himself deteriorating under the influence of a curse which they have placed on him for his sacrilege.
This multi-faceted drama, which depicts a group of intellectual Afrikaners struggling with pertinent moral, ethical and racial issues in apartheid South Africa, is widely acknowledged as one of Jans Rautenbach’s finest films.