In Arborville, California, three high school students try to protect their hometown from a gelatinous alien life form that engulfs everything it touches. The first to discover the substance and live to tell about it, the trio witness the Blob destroying an elderly man, then it growing to a terrifying size. But no one else has seen the goo, and the police refuse to believe the kids without proof.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a 'pee' gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.
Dominique Pinon takes the viewer through various examples of what he "likes and dislikes."
A group of frontier businessmen set up a protective organization for the purpose of extorting money from the local ranchers.
Two survivors, who appear unwilling to answer questions, are the only links authorities have to a spate of attacks that have hit rural South Africa.
On their way to a rock concert, Carrie, her boyfriend Sam, and Bone, her thug ex-boyfriend, get lost and wind up in Fate, Texas – a town populated by bloodthirsty, dimwitted vampires. Featuring genre favorites Nicholas Brendon and Tom Towles.
The popular Caucasian-looking son (Richard Barthelmess) of a wealthy Chinese businessman lives away from his widowed father and passes as white, but experiences prejudice, rejection, insult, and heartache when the socialite (Constance Bennett) he loves learns of his heritage.