An old cancer patient reminisces about his youthful days spent at a little place called "Spatterdock".

A father killed his son. In a state of alcoholic delirium, a young man murdered his friend. A 21 year-old boy shot a policeman. Faced with their death sentence, they tell about what happens with them at the moment when they are between death and ... death.

6 February 1998, Port Arthur, Texas: Erin is home alone. She is about to watch a film when a masked man suddenly appears in the living room. She thinks it’s a friend joking around. 12 June 2013, Huntsville, Texas: In Huntsville State Penitentiary, preparations are underway for execution #499. A little after 6pm, Elroy Chester will be executed by lethal injection for the rape of Erin and Claire DeLeon and the murder of their uncle, fireman Billy Ryman. Killing Time reconstructs an old murder, and shows the impact on the family members and victims during the day of execution. The family of the victims and the prisoner, the guards in the towers, the pastors, the journalists, the handful of demonstrators: everyone has his own way of killing the last few hours of Elroy Chester’s life. Where one yearns for the long-anticipated closure of the case, the other faces oblivion

Chennu committed his first crime when he was 15 years old: being a street kid. And he entered hell: Pademba Road. The adult prison in Freetown. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

A depiction in the hanging of Edward Heinson, an assumed criminal assault convict in Jacksonville, Florida.

An ode to man's capacity to care for all creatures throughout their sometimes greatly protracted existence, displayed through the homegrown remedies Tom and Debbie Nicholson create for disabled animals.

Documentary covering the case of Mumia Abu-Jamal, a black nationalist and journalist in Philadelphia, Pennsylvania, convicted of killing a Philadelphia police officer and sentenced to death in a trial marked by controversial prosecutorial and defense tactics and charges of racism.

"Letters from Europe" brings to light the words of men and women who gave their lives resisting the Nazi and fascist conquest from 1939 to '45 across the European continent. The moving goodbyes penned by a few of those sentenced to death are sometimes true spiritual testaments that explore the meaning of civic responsibility, human existence, fraternity, and life and death. Their words, which the film mingles with footage of the present day, can perhaps restore meaning to a humanist ideal and to the ever-changing idea of a united Europe.

This 1990s South Korean movie focuses on a woman who is put on death row after killing her abusive husband.

Have I committed a crime? Lamm cannot answer this question. But maybe it doesn't matter. After all, a mistake has been made, and now he can leave town. He thinks not of the chandelier, not of the look on the executioner's face in the tavern, but of the woman who slapped him the night before, the woman who now lies motionless before the wall, as still as a pebble. Is that the punishment? Lamm was pardoned. But the punishment only begins now, now, when the dead city disappears forever into the woods.

One day Kyoko watches television and sees a man turning himself in to the police after murdering a family. Something within Kyoko connects with the man, as she recognizes a similar soul. Despite the worries of the killer's lawyer, she approaches the killer and the two start corresponding.

An innocent man is found guilty of murder and sentenced to death, but as he's about to be hanged he accidentally kills his executioner. He now faces a new trial, presided over by a young and inexperienced judge.

The full-length television documentary, using currently found audio-visual records, tells the story of the fabricated political process from November 1952, the story of its victims and its masterminds. At its end, 11 executed high-ranking officials of the Communist Party of the Czech Republic, committed to the communist party, who mechanically "recited" memorized confessions and accusations of "accomplices", former friends and colleagues in front of the court in response to prearranged questions from the prosecutors and judges.

In 1839, months after the British army has repressed the insurrection of the Patriots, hundreds of rebels rot in prison. The morning of February 14, Marie-Thomas Chevalier De Lorimier and Charles Hindelang learn that they will be hung in 24 hours, with three other comrades. While they await their hour of death the condemned spend time and consult with companions and loved ones as well as entrust to those their last wills. At dawn, the five Patriots find the courage to walk with dignity towards the scaffold, knowing that will they die in the name of a just causewww.tribute.ca

The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.

An adaptation of the J.P. Sartre story "Le Mur". What goes on in his mind and what happens outside when he has left only few more hours left to live. The existential dilemmas of a prisoner condemned to death from a repressive regime for his participation in a resistance movement and his friendship with the leader of this resistance. When all seems lost and he has already given up the most unlikely coincidence changes the course of events and his life.

AIDA, an Ethiopian princess, is captured and brought into slavery in Egypt. A military commander, Radamès, struggles to choose between his love for her and his loyalty to the Pharaoh. To complicate the story further, Radamès is loved by the Pharaoh's daughter Amneris, although he does not return her feelings. Sonja Frisell’s production captures all the grandeur and excitement of Verdi’s monumental opera, particularly the great triumphal scene where the Egyptian army, led by Radamès (Plácido Domingo), returns victorious from war. Aprile Millo is Aida, the slave girl whose love for Radamès has her squaring off with Amneris (Dolora Zajick), the Egyptian princess who also loves him. Sherrill Milnes is Amonasro, and James Levine leads The Metropolitan Opera Orchestra, Chorus, and Ballet.

A woman in Pakistan sentenced to death for falling in love becomes a rare survivor of the country's harsh judicial system.

In 1827, Berthet, the son of a craftsman and a young seminarian, was tried and sentenced to death for murdering his former mistress, the wife of a noble who had hired him as tutor to his children.