After starting a secret relationship, Anabela decides to reveal to Carla that she plans to flee Lisbon, keeping her romance away from her father. Opposed to the idea, Carla discourages her, suggesting she should rethink. Anabela, feeling helpless, surrenders to her own thoughts, making decisions without support.
The architect entrusts his daughter, Lida, and his son, Taher, to an engineer before his death. The engineer goes to Ahvaz and takes Lida with him to raise her alongside his son Shahram - and the neighbors raise Taher among them. Years later, Shahram rapes Lida, and the the engineer, suspecting that Lida is a promiscuous woman, kicks her out of his house.
A nymphomaniac recounts her memories of taboo sex.
Ema tries to recover her memory, while a man in black threatens her, without knowing why.
Still healing from her grandmother’s death, Addison Moore finds herself checking into The Copper Queen Hotel in Bisbee, Arizona. Aware of the ghost stories and hauntings, Addison fearlessly elects to stay in Room 315, the location of the heartbroken Julia Lowell’s death a century ago.
About the forbidden attraction of a father towards his daughter.
Barlam (Omar Rodriguez-Lopez) struggles to find himself as he bags groceries, has a semi-incestuous relationship with his sister and attempts to understand his parents' long-ago divorce. Events spiral out of control when he becomes obsessed with a boy who looks like him. Rodriguez-Lopez, a songwriter/guitarist for rock band The Mars Volta, writes and directs this drama that had its North American premiere at the 2010 Tribeca Film Festival.
A documentary in which after being released from prison, former criminal Viggo wonders why he developed from a sensitive little boy into a merciless criminal. He decides to give up his criminal existence for good and dives into his past to avoid making the very same mistakes a second time. Viggo realizes that the damage he suffered because of his family might jeopardize his new life. His quest, in which he drags his two sister, leads to painful confrontations with their past and also with one another. The secrets of their incestuous family and manipulative father are unraveled little by little.
The Smiling Man descends into hell, and, trapped in the walls of his own homosexual longing, he must now confront his motherly obsession.
A young man is madly in love with his mother, until he discovers a horrible truth about her sexual behavior.
Wataru, a young, nerdy man who also narrates the film's story, uses some of his time to peep on his parents having sex, as well as on his sister, and is often seen masturbating to a porn magazine.
A man stabbed to death is haunted by his memories and fantasies while dying alone.
Judith, a young girl, awakens from a very bloody nightmare, She looks around her, all seems in order: her sister is there a sleep.
Young Laura leaves her small town, where she has been subjected to sexual harassment and finally raped, for New York City. However, she turns into a nymphomaniac who sleeps with both men and women.
Seen through the eyes of Rebecca Gibbs, a young abuse victim, I DON'T WANNA FEEL NOTHIN' NO MORE is an intense drama that chronicles three generations of incest among the women in one family as they struggle to maintain their strength and dignity against almost overwhelming odds.
A former call girl becomes a famous actress but past family skeletons reemerge to bite her in the ass.
As a child, Michael Stock was sexually abused - by his own father. 25 years later he is still looking for inner peace. In conversations with his family and friends and his own reflections, he paints an ever clearer, if contradictory picture of what happened and of the consequences for each of the family members. Old family films seem to show a happy family - excerpts from Michael's first feature film hint at his extreme adult life, overshadowed by his lifelong trauma. Yet in spite of the intense drama, the film doesn't have an atmosphere of anger and hatred but rather a surprising air of hope and love of life. Michael's aim is not to accuse the "perpetrator" but to understand. In the end, he takes his video "Postcard" to his father. With the camera running, he confronts him with his past.