College buddies Trevor, Thomas, and Sam share a passion for filmmaking. But, when Thomas obnoxiously acquires a rare copy of Sam's favorite film "Cold Soldiers", their insecurities threaten to tear the friendship apart. Trevor, left in the dust, attempts to restore harmony to the trio.
An ambitious filmmaker takes an interest in a reserved teenager while making a documentary about the heavily polluted town he lives in.
A short film about a director and writer trying to write a story, but he has difficulty writing and finding the story, but when he is looking for something to drink, he finds a hidden box waiting for him to open it.
A rag-tag group of young film lovers gets a once in a lifetime opportunity to make their own movies to be screened for a powerful director. However, not all of the films come out how the creators had hoped.
In a local cafeteria, an unlikely trio of friends argue about how to rob the bank from across the street. It all changes when the waitress who serves them discovers their plans.
Julian has agreed to help Henry make his first film--but, on the day of shooting, Julian shows up having taken four tabs of LSD. Across the streets of Toronto, the two friends battle for control of the frame and struggle towards the meanings of art and communication.
In this new program, director Joachim Trier, actors Renate Reinsve, Anders Danielsen Lie, and Herbert Nordrum, screenwriter Eskil Vogt, and sound designer Gisle Tveito discuss their passion for cinema and the conception and production of The Worst Person in the World. The interviews were shot in New York and Oslo in 2022. In English, not subtitled. (51 min). Part of the Criterion Collection home video release for THE WORST PERSON IN THE WORLD.
A documentary showcasing a family as they pack up their home of twelve years and begin looking towards the future.
Marina is a young actress in the middle of a preparation process for a character called Luísa, a timid boom operator, who finds herself intrigued by her neighbor, Marina, a young actress in the middle of a preparation process for a character called Luísa, who can't really tell what is real and what is not.
A failed filmmaker returns to Memphis with the hope of jump starting his career but is thwarted by the insanity of the film crew, the selfish conniving of his racist new boss, and the psychotic war between two gangs of historically inaccurate presidential impersonators while trying to maintain his commitment to his family. Featuring Eric Tate (Craig Brewer’s The Poor and Hungry), Ron Gephart ( Ira Sachs’ The Delta), and narrated by Michael Horse (Twin Peaks).
Filmmaker Neil Breen comments on his personal insight, motivations, goals, vision and his five feature films.
An aspiring filmmaker, who is also down on luck, goes to Singapore to meet a producer, but what follows is misadventure after misadventure, with a dash of romance thrown in.
The making of the latest masterpiece - Crest of Senses - by renown cult film director Jack Gattanella. It's getting weird, and only weirder still, as the weeks go on and Zack and Hayley hold on for dear life. Maybe the dolphins will help.
The final documentary in Christopher Sykes’ trilogy about legendary Palestinian-born Israeli movie director, producer, and studio mogul Menahem Golan looks back to the prolific filmmaker’s great Hollywood days, then forward to reveal a man who, in his eighties, still buzzes with energy, talking lovingly about what inspires him as he anticipates making a new blockbuster and receiving the Oscar he’s always wanted. - Denver Film Society
An insightful short documentary about eight young filmmakers, just out of film school who all have a romantic outlook about Cinema but are equally aware of the challenges of the real world of film making. This little film captures these beautiful young filmmakers at their most candid selves.
A stripper and taxi driver are fished out of poverty and anonymity by a commercial film director. The obsession with success forces them to affect images as movie stars, which suppress and eventually destroy them as persons and lovers.
Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also the physical presence of those who have previously stayed there. Adhering to a solitary intimacy while simultaneously acting as an ode to human endeavour and shared impulses toward fulfillment through art, Listening to the Space in my Room is a moving testament to existence (whose traces are found in literature, music, filmmaking, gardening) and our endless search for meaning and authenticity. The film's precise yet enigmatic sound-image construction carries a rare emotional weight.
Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?
A portrait documentary tracing the inspiration, philosophy and imagination of the celebrated theatre and screen writer - and Bunuel's long term collaborator - Jean Claude Carrière. Carrière predicts that between the house he was born in and the cemetery in which he will end there is a life journey of just 250 meters. "Carrière: 250 Meters" follows him as he reflects on the wealth of global traditions of storytelling, travelling through past and present, across countries and cultures from Paris to New York, Mexico and India and joined by his family, friends and collaborators. A testament to the life and work of an extraordinary man and a key architect in contemporary cinema.
As a film director works on his submission for a film festival, the mounting issues during production reveal what truly unfolds behind (the scenes) what we've seen.