Fragments of hazy, haphazard memories of a happy time.

The letter X in various typefaces.

This letter constitutes my written notice that I will be moving out.

The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.

In the peaceful hamlet of Dzuluk, a man is about to return to his wife of thirty four years, a marriage they have sustained mostly through letters.

The narration of a letter which consists of themes such as the passing of time, the unexpectedness of life, the fear of death, and the fear of change.

Two voices resound from beyond and surrender to memory. Although that memory is involuntary, it is materialized in the letters: fragments and scraps of a relationship that was once desire and that remains unfinished. The voices detach themselves from the letters but they inhabit another indefinite space-time, and that capricious dialogue seems to reveal the unspoken question: where does end up that we were in a longed-for memory? Where is that piece of identity confined, alien, dissimilar, but always close and latent? Las cartas is born from an arbitrary discovery: photos, letters, files that are dusted off old boxes. From that moment on, the objects (which were once experiences) become the repetition of a happy or turbulent memory. That crisis, that intrinsic tension, is sought to be captured through an off recording and a visual montage.

Laura Palmer after a long day of work as oficinist founds a letter "from Luis to Carla" but she decides to read it anyways. It says that theres something behind the door so Laura goes for it and immediately appears in another dimmension.

A short documentary film about the director's relationship with his deceased grandfather.

A young girl named Destiny writes a letter to her future self after the recent loss of her father. While expressing her thoughts concerning what could be in the envelope he left her, her imagination takes control and sends her on a journey unlike any other.

In 1970, Tahar, a young Tunisian, travels to France for the first time to help his older brother, who is wrongly accused of murder and incarcerated in Paris. He first stops in Marseille, where he meets Tunisians very different from those familiar to him; enigmatic French people; and a strange atmosphere that makes him doubt his brother’s innocence, his own innocence and his own mental integrity.

After accidentally destroying an important piece of literature, two young publishing house employees must work throughout the night to try to piece together the remains of the destroyed manuscript in order to save their jobs.

In the year 1915, while the world starts falling apart, a husband comes home to his wife with bad news

Conversation between man and woman that leads to some unexpected events.

Like most Fleischer cartoons from the early '30s, there are lots of stream-of-conscious gags here. They are related by Bimbo's adventures as a mailman.

The rut of Dalmatian hinterland changes with the arrival of returning guest workers, and things they bring along: cars, radios and new way of life.

After committing a petty crime, a young man unexpectedly receives a confession of love. Brimming with curiosity, the young man embarks on a search throughout the city for signs of that love, revealing a timeless appreciation for art, the depth of human feelings and a critique of technology and the modern world.

Sachiko Mishima a young Japanese woman get sent to Haiti as a dispatch member for the Ministry for Foreign Affairs. She thinks she is going to the holiday resort of Tahiti by mistaking Tahiti for Haiti). While in Haiti with the help of a Japanese craftsman she learns paper can be made from bananas. She embarks on a mission to create paper for the Haiti residents to help them.

An honest man puts an ad looking for a room to rent in an honest house and receives five peculiar answers.