O terror de congelar o sangue continua neste filme com cenas muito chocantes. Three Finger e sua perturbada família de canibais estão vivos e bem alimentados nesta insana e aterrorizante viagem, dirigida por Declan O'Brien (Cyclops, Rock Monster), um veterano cineasta do Sci-Fi Channel. E a refeição está na mesa para a família sedenta por sangue quando um grupo chega para acampar por ali, só percebendo tarde demais que os insetos não são a única coisa que morde nessa floresta sombria. Mas, quando alguns dos piores assassinos da região foge de um ônibus de transporte da prisão, Three Finger e sua família encontram alguém do seu tamanho para lutar. Será feita a justiça para os assassinos condenados ou para os mutantes matadores? Seja lá o que aconteça, Floresta do Mal: Caminho da Morte tem um momento esmagador atrás do outro até o aterrorizante final.
Nascimento enfrenta um novo inimigo: as milícias. Ao bater de frente com o sistema que domina o Rio de Janeiro, ele descobre que o problema é muito maior do que imaginava. E não é só. Ele precisa equilibrar o desafio de pacificar uma cidade ocupada pelo crime com as constantes preocupações com o filho adolescente. Quando o universo pessoal e o profissional de Nascimento se encontram, o resultado é explosivo.
Pronto para se tornar num guarda prisional, Juan Oliver está decidido a deixar uma boa impressão. Apresenta-se ao trabalho um dia mais cedo e dois colegas dão-lhe a conhecer a prisão já antiga e pouco conservada. Durante a visita, um pedaço de estuque solta-se do tecto e atinge Juan que desmaia. Os guardas levam-no para a cela 211, vazia, tentando reanimá-lo. Mas naquele momento irrompe um motim desencadeado pelos criminosos mais temidos daquela prisão. Os colegas de Juan fogem, abandonando-o. E quando ele acorda apercebe-se que terá de fingir ser um prisioneiro para se salvar.
Em 1831 o irlandês Charles Adare (Michael Wilding) viaja à Austrália para começar uma nova vida. Logo ao chegar conhece o poderoso Sam Flusky (Joseph Cotten) e descobre que a esposa deste, Henrietta (Ingrid Bergman), foi sua colega de infância. Bela e instável, Henrietta é agora uma atormentada alcoólatra e sua reaproximação de Charles desperta ciúmes em Sam.
Duke Jarrett is sent to jail at the John Dillinger prison. However, the prison looks more like a zoo, more or less ruled by the prisoners themselves.
O Casamento de Maria Braun é uma colagem dos tempos na Alemanha após a guerra, os milagres económicos, e um retrato de uma mulher que nas suas circunstâncias quer emancipar-se e ter uma carreira bem sucedida e feliz.
Magdalena and Michael have loved each other since they were children. But when the Nazis come to power, Michael rebels against the regime and is sentenced to fifteen years in a concentration camp. Magdalena, meanwhile, goes underground with the help of a friend and later immigrates to the Soviet Union. Michael, who has joined the Red Army, discovers on the way to Moscow that Magdalena is staying there. But when his plane lands, she is already on her way back to Germany. Michael hopes that one day, he and Magdalena will be reunited.
Ramon is a guy who lives in a neighborhood, in the " fifth courtyard " in urban poverty. Nevertheless, aspires to the love of the daughter of his employer, a woman of another social class.
Sarajevo, rush hour. Emir (15), accompanied by a social worker, is on his way to meet his father Safet for a weekend picnic at Igman, a semi-open penitentiary. Due to the heavy traffic they are late...
A family has a hard time tying to stay together, because murder seems to be in their blood, and a their favorite type of gathering is a massacre.
Upon release from the penitentiary, Phillip Whitney tells his friend, Bennie, that he is going straight, and visits his lawyer brother John. Phillip looks up to John and while incarcerated maintained contact with him through a continental mailing agency. As John has no idea he was in prison, Phillip tells him that he has just returned from Japan.
A down on his luck young man stumbles into a gang of robbers who all get landed in prison. Will he be reformed, or is he ensnared into a life of crime?
A look beyond the shock and inhumanity of prison rape to the intricate social hierarchy that keeps it alive. A filmmaker goes deep inside Alabama's infamous Limestone penitentiary to uncover the long-term causes and consequences of prison rape. With a startling lack of inhibition, five inmates reveal the workings of an elaborate inner society.
A story depicting the life of executed murderer and gang leader, Marciál "Baby" Ama. Ama, who became a gang leader with his prison mob while serving a sentence for lesser charges, was executed for murder at the age of 16 via electric chair on 4 October 1961.
The soulless atmosphere of a women's penitentiary destroys the prisoners' personality, kills all femininity in them. The film looks at the rationality of the long prison terms for women with children.
Imagine a prison with some ten thousand prisoners, many of them dangerous and, to control them, only a few unarmed employees. Small in number, these employees work in shifts. They are almost prisoners themselves, in a routine of tension, but also of humor and emotion. This prison was all too real. While it was in existence, the Carandiru was the largest prison in Latin America, administered by a reduced number of employees. The documentary shows, from the point of view of these few employees, holding the keys, how the prison operated: the delicate balance in the relationship with the prisoners, affinity among employees, moments of tension and, even, of happiness. These are stories told by former employees, among them, Dr. Dráuzio Varella, author of the book Estação Carandiru. These are the secrets of a place that no longer exists.
