Preparing for her wedding, Kübra gets possessed by unknown livings. To cure Kübra, a psychiatrist, Ebru, gets on way. Ebru is also an old friend of Kübra. Ebru would work together with an exorcist to save Kübra. Just when things seemed to be going well, everything start going horribly wrong.
Dilek, a housewife suddenly starts to feel presence of something abnormal in a specific room in their house. Though her husband, Omer refuses to agree with her but situation become worse. They find out that, an ancient paranormal creature called Jinn, has cursed on Dilek. They seek for a way to cure her but instead they find out some shocking event of Dilek's early life.
A very large number of people start to commit suicide using brutal and horrible techniques and without any reasons. Starting from the United States, this suicide wave spreads all over the world. In Turkey, in a small town called Selcuk, a young man kills himself after a long, night he spends on the Internet. Following the incident, his best friends start to get strange e-mails from him. They also start seeing horrible creatures around themselves--this is just the begining of the apocalypse.
A cardiologist tries to pinpoint the cause of her mother's sudden death as her sister, who witnessed it, claims malevolent demons are at play.
Internet network has spread into every home Dabbe, under the command of electromagnetic systems all over the world with demons and shadow assets were seized.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film - though there are obvious exceptions - Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious - and effects heavy - effort, Semum. Both film showcased Karacadag's growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he's at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
