As Jonah prepares for his big day, he and the 'Bots celebrate Christmas and watch a movie depicting a lawyer's efforts to stop a wealthy curmudgeon who owns the North Pole from evicting Santa Claus and spoiling the season for everyone. On the SOL, the crew disses Santa's toy production.
The crew must endure a cheesy fantasy adventure about a ragtag group of heroes questing to find a powerful ring to defeat an evil wizard who overthrew their kingdom. In a musical segment, Jonah explains to Servo why he shouldn't try to raise a zombie army.
While Jonah and crew dig into a schlocky ski-resort disaster flick starring Rock Hudson and Mia Farrow, Kinga connects with her long-distance lover.
The crew slings wisecracks at a sci-fi romp featuring David Hasselhoff and Christopher Plummer, wherein spacefaring adventurers must rescue the son of a galactic emperor and destroy a deadly weapon. Meanwhile, on Moon 13, Kinga tries to woo a slick investor.
As the wedding day draws near, Jonah and the 'Bots join Doug McClure for a wild ride down to a lava-licked world ruled by tyrannical, telepathic beasts. On the Satellite, Jonah introduces a new piano-playing 'bot named Growler.
Kinga introduces THE GAUNTLET, a six-movie experiment intended to be indulged in at once. First off, the notorious E.T. rip-off Mac and Me, wherein an alien is befriended by a wheelchair-bound boy while trying to escape from NASA. Meanwhile, Jonah tries to regale everyone in how he escaped certain death, but no one cares.
The Chief Minister of Ecalia betrays his own king, setups up Hercules, and plays events to his advantage as love blooms on and off screen.
Kinga drops a bombshell on Jonah before plunging him into a world of bare-chested carnies, talking chimps, brooding magicians, and young love. On the Moon, traveling showman P.T. Mindslap visits with his Great Space Circus.
Follows the adventures of a young boy, Paul Cooper, who gets a vision from old pal Bigfoot while he's at boarding school.
The crew watches a South Korean flick featuring a giant, prehistoric monster that causes earthquakes, guzzles gasoline and takes out its aggression on the buildings of Seoul. On the SOL, Servo presents his club, Yongary Nights.
In the show's first-ever Halloween special and first-ever 3D episode, Jonah and the 'Bots watch The Mask (1961).
As THE GAUNTLET comes to a close, Jonah and the 'Bots endure the Italian fantasy "Ator, the Fighting Eagle" (1982), about a coiffed warrior on a mission to save his sister-wife from a wicked tyrant. Meanwhile, Max becomes smitten with the bear from the movie.
The Mads turn up the heat with a sequel. This time, a has-been wizard and his gawky apprentice embark on their own mind-bending quest to quash evil. In an attempt to boost ratings, Kinga forces Jonah to marry her, much to Max's jealousy.
Jonah and the 'Bots watch a 1974 film based on the novel by Edgar Rice Burroughs about a German U-boat crew and their British hostages who discover a land inhabited by dinosaurs and Neanderthals. The crew accuse Kinga of stealing their invention ideas.
In the theater, a brand new MST3K host and crew watch as a team of jewel thieves discover a mysterious island and the bug-eyed civilization living there, in BEYOND ATLANTIS (1973). Meanwhile, the Simulator of Love's fresh test subject gets her bearings.
In Jonah's first experiment, he and robot companions Tom Servo and Crow T. Robot are subjected, by Kinga Forrester and Max, TV's son of TV's Frank, to a terrible Danish made monster movie.
As Jonah and the 'bots suffer through endless stop-motion sci-fi mayhem in the California desert, an old acquaintance of their parents' drops in on Kinga and Max.
Jonah and the bots join the star-crossed crew of an undersea lab for a psychedelic late-'80s adventure that boggles the mind -- in all the worst ways.
Jonah and the 'bots watch "Atlantic Rim" (2013). The crew share stories in the style of military frat boys.
In the theater, the crew watches as a hapless child befriends whatever a Munchie is, in MUNCHIE (1992). Meanwhile, on the SOL, Jonah stands up for himself by refusing to go back into the theater, and suffers the consequences.