Hector is a quirky psychiatrist who has become increasingly tired of his humdrum life. As he tells his girlfriend, Clara, he feels like a fraud: he hasn’t really tasted life, and yet he’s offering advice to patients who are just not getting any happier. So Hector decides to break out of his deluded and routine driven life. Armed with buckets of courage and child-like curiosity, he embarks on a global quest in hopes of uncovering the elusive secret formula for true happiness. And so begins a larger than life adventure with riotously funny results.
Farrebique, the first feature-length effort of French documentary filmmaker Georges Rouqier, is widely regarded as his finest film. Rouqier concentrates on a single French farm family, following them through the four seasons. As in the works of Robert Flaherty, the human characters and the land surrounding them are "one", and Rouqier never misses an opportunity to parallel their lives with the eons-old phases of nature. The final symbolic images of Spring, achieved through time-lapse photography, are almost unbearably beautiful. The winner of several festival awards, Farrebique nonetheless did not immediately result in an outpouring of financing for Rouqier's follow-up films (this was a common problem in the financially strapped French film industry of the 1940s). Perhaps as a result, Rouqier did not make his sequel, Biquefarre (filmed in the same region, with some of the same "actors"), until 1983.
After traveling the globe to highlight low-tech, Corentin de Chatelperron has set himself a new challenge: to live independently, alone for four months, on a bamboo raft floating in Phang Nga Bay, Thailand. On his 70 square meter platform, the engineer, passionate about ecology and system D, puts into practice what he has learned in order to feed himself and produce his own energy.
Haida Gwaii, an archipelago off the west coast of Canada, is home to Skil Jaadee and her family. They live in harmony with nature and have made it their mission to save their language and preserve their history.
The follow-up film to “Barstow, California” takes us to the mountains of Miyama, a remote forest and tourist area north of Kyoto. Uwe Walter, a shakuhachi player from Germany, lives there with his wife Mitsuyo for 30 years. Together with the villagers he prepares the annual Gion Festival. On the eve of the festival, the village representatives tell him that his self-built studio is to be demolished. This brings back memories for him of earlier times and his first steps as a Nō actor. In the manner of a fresco, the film interweaves rural depictions of everyday life with the story of its German protagonist. In the village community with its togetherness of generations, Uwe shares life with his neighbours, with farmers, hunters, woodsmen, poultry farmers and anglers, tills his kitchen garden, and like other tradition-conscious villagers, he also grows his rice. The film shows them in a harsh mountain landscape between the rainy season and the first snow.
Former flight attendant Émilienne, 76, lives on a small farm in Centre-du-Québec. As the seasons go by, she helps us discover a way of life in symbiosis with the living and the passing of time.