安娜坎卓克和賈斯汀再度回歸，為夢工廠動畫2016年賣座音樂動畫片的續集《魔髮精靈唱遊世界》配音。波比 和小布 這次踏上一場冒險旅程，將他們帶到從所未見的世界，並且發現這世上總共有六個不同的精靈部落，他們只是其中的一個，這六個精靈部落分散在六塊不同的土地，各自專注於不同的音樂類型：放克、鄉村、電音、古典、流行與搖滾。於是他們的世界就變得更大也更響亮。 重搖滾王室成員芭碧女王 在她父親鞭擊王 的協助下，想要摧毀其它的音樂，好讓搖滾樂稱霸世界。這個世界危在旦夕，波比和小布以及他們的朋友 － 大支、大紫、大紅、褲哥 和白閃閃 － 一起前往其它的土地，和其他的精靈和諧一致，對抗想要搶盡風頭的芭碧女王。

1862年，一位女性熱氣球駕駛員與氣象專家攜手合作，一同登上最新型的熱氣球，展開一場前所未有的的大冒險。兩人能否衝破逆境，透過熱氣球為人類打開新世界呢？

在每一天，天空中高興的雲朵們創造出不同的生物（例如是人類嬰兒、小貓和小狗）。完成後，雲朵便會透過鸛把他們送給家長。不過，一朵名叫「Gus」的孤獨的灰雲擁有著一個與眾不同的任務——創造一些較為「不討人喜愛」的小動物，這些小動物往往會長著剛刺、利齒並且非常桀驁不馴。為Gus遞送這些小動物的鸛名叫Peck，他每次會為此深受其害：包括被鱷魚咬、被大角羊頂、被豪豬刺。當Peck發現他的下一項遞送任務是一條小鯊魚後，他感到非常害怕並飛跑了。這使得Gus感到被拒絕因此非常沮喪生氣，他釋放出一束短促的雷暴，然後他的哭泣在他的下方形成了雨。出乎Gus意料的是，在此時Peck竟然回來了，並帶回了一個橄欖球頭盔和墊肩。這些裝備是另一朵雲為他訂做的，目的是為了保護他不受傷害，並向Gus證明他沒有被拋棄。Gus頓時非常高興，並給了Peck一條電鰻作為遞送任務。雖然有這些裝備的保護，Peck仍然遭到了電擊；不過除此之外，Peck的工作情緒一直相當高漲（雖然略顯疲憊）。

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

The Care Bears team up with a troubled brother and sister who just moved to a new town to help a neglected young magician's apprentice whose evil spell book causes sinister things to happen.

日本導演是枝裕和早期代表作。將死亡化為空間，以記憶凝結永恆，透過幽默而溫柔的方式，觸探沉重的生死議題，意蘊清遠，沉靜低迴。 在人間與天國之間，有一中途站，剛離世的都會在此逗留一個星期，天國使者會為死者引導，使他們尋回最美好回憶片段，第七天帶著這片段，悠然上路。今天來了幾名死者，包括年青的望月和甜美的Shiori。望月沒想到，Shiori一直喜歡自己，而一78歲的老人，也竟與自己前生有著千絲萬縷的關係，並從他身上，獲悉一名女子對他永恆的愛……。一星期後，望月會帶著甚麼記憶離開……。

Compelled by a mysterious force, Kaena, a rebellious, high-spirited teenage girl will defy the High Priest and her people's ancestral beliefs to take the perilous journey through the Axis and discover what dark secrets lie beyond the clouds.

An American investigator for the U.N., a German scientist and a British reporter join forces to investigate a series of disappearances and mutilation-deaths confined to a Swiss Alp and involving a thick, mobile cloud, a telepathic girl, an animate dead man, and tentacled, cyclopean beings from another planet.

Through a grey blanket of clouds, we barely discern the contours of Mount Fuji, a volcano with many faces. 4,500 exceptional and diverse photographs from the past 150 years form the basis for Ascent. Made entirely with stills, it is a filmic experiment balancing between documentary and fiction, photography and film, where an English woman and her deceased Japanese partner, Hiroshi, lead the way. As Mount Fuji is climbed across geographical, temporal and cultural divides, the narrative unfolds, exploring unexpected paths.

While villain Grizzle plots against the Care Bears, it is up to Oopsy Bear to come to their rescue.

In a world where drought is everywhere, a little village survives thanks to a machine that turns clouds into drinking water. Unfortunately one of the village inhabitants will make the cloud take flight.

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

An Eternalism film.

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

A sudden rainstorm is unleashed on a city. Everyone seeks refuge. When the clouds thin out, life continues.

A woman with weird superpowers, a turtle with obsessive-compulsive disorder and a cloud with rain incontinence on an unusual journey to the depths of the ocean.

The cloud phenomena of Maloja are so well-known that some of them have names, such as the Maloja snake, a cloud bank that winds its way through the Alpine pass like a river. Clouds pass overhead, Fanck films them, just sufficiently to get the idea, among the crags of the Engadine, and gradually he connotes the wider scene, peopling the solitude and stillness below with a person or two, boating.

A film about being, having been and becoming through the lens of a boy desperately trying to sketch out a cloud.