A man forced to bear power and stripped of humanity. A woman skeptical of happiness. Takeshi Hongo, an Augmentation made by SHOCKER, and Ruriko Midorikawa, a rebel of the organization, escape while fighting off assassins. What’s justice? What’s evil? Will this violence end? Despite his power, Hongo tries to remain human. Along with freedom, Ruriko has regained a heart. What paths will they choose?
Романописац којем је досадило да естаблишмент профитира од забаве „Црне“ користи псеудоним да напише књигу која га води у срце лицемерја и лудила које тврди да презире.
Неколико наизглед случајних инцидената у Лос Анђелесу, у периоду од два дана, преплићу се у провокативном завршетку филма који открива тамну страну људске природе. Лепо обучени млади пар белаца шета се веома осветљеним шеталиштем. Жена на тренутак погледа са стране и онда се чврсто прибије уз мушкарца. Делује довољно безазлено… Али не и за младог тамнопутог момка који је погледом сусрео с њом. Неспоразум или увреда? Страх или незнање? Шта год да је узрок, наизглед безазлени гест или коментар може довести до кобних последница, док се преплићу животи у филму. Међу очајницима у филму је и детектив, уморан од свега, кога игра Дон Чидл, који је добио многа признања за портрет хероја који је спасао пуно живота у прошлогодишњем остварењу Хотел Руанда. Полицајца детектива игра и Џенифер Еспозито, која је партнер лика који тумачи Дона Чидл – како на послу, тако и у кревету, а Рајан Филипи глуми младог идеалисту који се суочава са избором како и да ли уопште да своја уверења преточи у акцију.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
After leading his football team to 15 winning seasons, coach Bill Yoast is demoted and replaced by Herman Boone – tough, opinionated and as different from the beloved Yoast as he could be. The two men learn to overcome their differences and turn a group of hostile young men into champions.
Лак за косу је прича о средњошколској шминкерици Трејси Турнблад, која од „малограђанке“ постаје права звезда. Уз помоћ других звезда она наступа у „Кори Колинс шоу“, освоји срце локалног заводника Линка Ларкина и сруши расне предрасуде на локалној телевизији – и све то, а да притом не поквари фризуру!
An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.
Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.
African-American student Malik is on a track scholarship; academics are not his strong suit, and he goes in thinking that his athletic abilities will earn him a free ride through college. Fudge, a "professional student" who has been at Columbus for six years so far, becomes friendly with Malik and challenges his views about race and politics in America.
TV producer Pierre Delacroix becomes frustrated when network brass reject his sitcom idea. Hoping to get fired, Delacroix pitches the worst idea he can think of: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.
Rachel Dolezal became infamous when she was unmasked as a white woman passing for black so thoroughly that she had become the head of her local N.A.A.C.P. chapter. This portrait cuts through the very public controversy to reveal Dolezal’s motivations.
In this collection of interviews with some of America's most conservative black pundits, white director Justin Malone presents his vision of being black in America. Featuring politicians, lobbyists, ministers, some unqualified random people (even an alleged sex pest), the film explores their choice to navigate the world as one of America's most self-resenting identities: the American Black Conservative. In this propaganda film from Director Justin Malone and Executive Producer Larry Elder, Uncle Tom evangelizes victim-blaming, selfishness, and their lack of empathy. Uncle Tom shows us a biased perspective of American History from this political ”movement.”
Disgrace is the story of a South African professor of English who loses everything: his reputation, his job, his peace of mind, his good looks, his dreams of artistic success, and finally even his ability to protect his cherished daughter. After having an affair with a student, he moves to the Eastern Cape, where he gets caught up in a mess of post-apartheid politics.
Racial tensions break out on 31st Street, a multi-ethnic community. Sam Peckinpah directed this original adaptation of the Harry Mark Petrakis novel for NBC, and the project became an hour-long presentation for NBC's The Dick Powell Theatre, premiering on Apr. 12, 1962.
The staff of a black hair salon fend off a strange new monster: white women intent on sucking the lifeblood from black culture.
Two beautiful and different girls, Alice and Lisette are 17 years old, when forcibly removed from their Alsatian family to cooperate in the war effort in Germany. After spending six months in a indoctrination camp, they are both sent to a munitions factory where they are tasked to perform inhuman works. An explosion erupts, they are suspected of sabotage and threatened with being sent to a boot camp. Alice and Lisette believe they saved when transferred to a maternity where they continue living the hell of war.
The controversial satire The LA Riot Spectacular plays for mordent laughs the events that consumed L.A. in 1992, after the police officers on trial for beating motorist Rodney King were found innocent. The city was engulfed by a massive riot, but the film plays these moments for laughs. In addition to recreating some of the images seen on television, the film skewers a variety of figures including the police, the media, and the citizens of the city.
A shopkeeper must save his son from an angry mob during the 1992 L.A. uprising after the Rodney King verdict.
A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.
The Burning is Stephen Frears’ first film, a chilling exploration of racial tensions in Apartheid-era South Africa. On a sweltering summer’ day, a wealthy white matriarch insists on taking her household on a planned trip to the country, in spite of their urgent warnings that an uprising is underway.