Janine and Sandy are a lesbian couple who decide to have a baby, but after a few years Sandy dies. This tragedy is exploited by Sandy's parents to snatch the girl from Janine's care. But then, and despite having the laws against her, Janine decides to fight in order to regain custody of her daughter.
From her personal experience, Marie Labory sets out on the trail of the lesbians who lived in Europe in the twentieth century. One hundred years of fighting for freedom, told through archives and testimonies.
Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".
With a fist full of credit cards, a lucky run at the horse track, and a title that called to mind a certain French film star, Franco Stevens launched the best-selling lesbian lifestyle magazine ever published, connecting her community in an unprecedented way. AHEAD OF THE CURVE is a new feature documentary about the extraordinary woman who started Curve magazine, and by doing so helped accelerate the political and social evolution of the nation.
Two young women narrate their stories of recent love relationships. Living in the metropolis of São Paulo, their experiences are permeated by issues influenced by current ways of relating in love.
Black women had extremely limited options during Jim Crow. Odessa’s story explores how an African American woman born in a time with limited options leveraged her incredible mind and quick wit to become wealthier than she ever should have been able to This film takes a look at choices that were made, a wild ride Odessa had as an underworld queen, and consequences from her choices Odessa Madre’s life was a mix of resilience and bookend by the vicissitudes of luck, a contrast of economic success within
During the women's demonstration on March 8, 1972, Mariasilvia SPOLATO was there with a placard: Liberazione omosessuale. A month later, Simone de Beauvoir came to Rome to give an interview, and this placard illustrated her article. Mariasilvia could no longer teach, ended up homeless and spent her life on the trains.
In 1931, a ragtag group of goofballs must face Contessa Dracula, a seductive sapphic pseudo-fascist who lives on a magical submarine.
Tells the story of lesbian bar Café Tabac's No Day Like Sunday parties in the 1990's
A film that sets a magnifying glass on the representation of lesbians in fiction products that were broadcasted on Argentine television from 1992 to 2014 on over-the-air channels. Based on interviews with professionals from various disciplines and archival images, the documentary reveals a negative characterization that predominates in the representations. The characters lack social depth and are distant from reality. The small screen presents us with lives marked by a dramatic coming out of the closet or, even worse, their permanence in it. The voices of Albertina Carri, Ernesto Meccia, Analia Couceiro and Vir Cano reflect on fictions from their backgrounds and their own life stories.