1770. Marianne est peintre et doit réaliser le portrait de mariage d’Héloïse, une jeune femme qui vient de quitter le couvent. Héloïse résiste à son destin d’épouse en refusant de poser. Marianne va devoir la peindre en secret. Introduite auprès d’elle en tant que dame de compagnie, elle la regarde.

A l'hôpital, les étapes sur le chemin de la vie des femmes, de la jeunesse à la fin de vie. Tous ces moments où notre corps dans sa voie gynécologique nous soumet et nous emporte.

Based on a 2016 novel by Mana Sakura, “The Lowlife” shows the stories of three women who work in Japan’s adult video industry.

Au cœur des volcans d’Auvergne, deux divinités, Mélie et Zéphyr, mènent une existence paisible jusqu'à l’arrivée d’Anthéa, une jeune fille énigmatique. Mélie, captivée par son aura magnétique, se lance avec elle dans une aventure libératrice et passionnée à travers ces paysages sauvages.

Cinq femmes emprisonnées dans un ascenseur confessent leurs expériences de vie amères causées par des hommes pervers et la société en République dominicaine.

Johanna, the hostess of the parish house, does her utmost to ensure that everything goes according to plan. There is no room for error. The last thing Johanna needs is a busload of uninvited guests knocking on the door of the parish house on the eve of an important wedding. However, a passing Russian party has had its car broken down and Johanna soon finds herself accommodating the party at the parish house. Johanna's brother is tasked with fixing the car to get the guests on the road and out of the way quickly. Her brother's entrepreneurial friend, on the other hand, sees great opportunities in the situation and decides to act. The clock ticks, the car won't start, the wedding ceremony is about to begin and the recipe for disaster is in motion.

After failing to have a child with his beloved wife, a man eager to be a father conceives an ill-fated plan to sow his seed with other women.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.

Pacific Mother journeys from Japan, to Hawaii, Tahiti, Rarotonga and Aotearoa to share interwoven stories of formidable women who live at one with the Pacific Ocean – freediving, spearfishing and paddling waka through its depths and playing with their children in its shallows – a stark contrast to fast-paced lifestyles of larger towns or cities. These women are all mothers who experienced diverse births in hospital, at home and by the sea, with and without medical assistance. Fukumoto also meets Māori and Japanese midwives who share indigenous traditions and rituals around birth that have been lost over recent generations, and are now gradually being reclaimed. Their stories demonstrate just how disconnected the global default maternity system is from the instinctive and cultural needs of mothers and families. They inspire a call to action on birthing rights, as well as a call for parents’ reconnection with their role as nurturers and protectors of their natural environment.

A study, in film animation, of a day in the life of a housewife, described without words, with a minimum of detail but with a perception all the more pertinent because of the simplicity of presentation. The film makes no judgments. It simply states the case, but serves as an apt starting point for any discussion of the role of women and the value of their work.

A woman who focused on being a mother feels that she no longer has any purpose now that her son has made his own life, until one lonely night after a storm, she finds a nest on the ground of her garden with a small egg that gives signs of life, and when she rescues him she puts aside her monotony to take care of him as if she were his mother.

Véro compare la périménopause à la loterie: on peut ressentir 3, 10 ou 30 symptômes. Dans son cas, elle a gagné le gros lot. Les premiers signes sont arrivés tôt dans sa vie. Elle n’a donc pas fait le lien entre les sautes d’humeur, la rétention d’eau, la peau sèche, la perte de cheveux… et la ménopause. Avant de trouver du réconfort, elle a erré pendant des années. Loto-Méno, c’est son histoire, sa quête, racontée avec courage et franchise.

Angel, a once vibrant beautiful Cree woman, becomes weary and spiritless after enduring viscous spiritual, physical, and emotional abuse from her partner Earl.

Ce documentaire de Léa Clermont-Dion et Guylaine Maroist nous plonge dans le tourbillon de la misogynie en ligne et documente la haine envers les femmes. Cet opus sombre, proche du thriller psychologique, suit quatre femmes sur deux continents : l'ancienne présidente du parlement italien Laura Boldrini, l'ancienne représentante démocrate Kiah Morris, l'actrice et YouTubeur française Marion Séclin et Donna Zuckerberg, spécialiste des violences faites aux femmes en ligne et sœur du fondateur de Facebook.

Gathered in a shelter in an Ecuadorian forest, adolescent victims of sex trafficking take their tentative first steps in their newly recovered lives.

Dans un paysage médiatique encombré dominé par les hommes, émerge le seul journal indien dirigé par des femmes dalits. Armées de smartphones, la journaliste en chef Meera et ses coéquipières journalistes brisent les traditions en première ligne des plus grands problèmes de l'Inde et dans les limites de leurs propres maisons, redéfinissant ce que signifie être puissant.

a 90 minute special reuniting the main cast of the American sitcom, "The Golden Girls", where they share their favorite moments from the show, behind-the-scenes footage, and plenty of laughs

Le quotidien de cinq jeunes filles qui vivent dans un centre d'hébergement et de réinsertion sociale de Paris. Toutes hantées par un passé chargé, elles tentent d'avancer et préfèrent voir le verre à moitié à plein. Toutes, sauf Sam.

Dans un climat insurrectionnel, quatre amies de vingt ans parlent politique. Une grande manifestation s’annonce mais l’une d’elles, Clara, doit remettre un travail universitaire. Alors qu’elle est prise dans les images virtuelles et le confort de sa chambre, sortir s’avère plus dur que prévu.