Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.
V čustveni drami spoznamo trgovskega potnika Chrisa Gardnerja, ki ga utrujena in razočarana žena zapusti, tako da mora sam skrbeti za petletnega sina. V želji po boljšem življenju se Chris vpiše v tečaj za borzne posrednike, toda zaradi pomanjkanja denarja s sinom kmalu pristaneta na cesti. Chris se kljub vsem težavam in ponižanjem odloči vztrajati, ob tem pa skuša na domiselne načine sina obvarovati pred neprizanesljivo krutostjo vsakdana.
Unemployed and recently dumped, Mitch and his buddy Sam start a revenge-for-hire business to raise the $50,000 that Sam's father needs to get a heart transplant.
Virginia Wolf (Kidman) se v zgodnjih dvajsetih letih prejšnjega stoletja v enoličnem londonskem predmestju bori z norostjo in začenja pisati svoj prvi veliki roman Gospa Dalloway. Trideset let pozneje njeno knjigo v Kaliforniji bere Laura Brown (Moore), med tem ko s sinom pripravlja rojstnodnevno torto za moža. V zgodbi najde toliko pomembnih odkritij, da se odloči končati svoje življenje. Clarissa Vaughan (Streep), sodobna različica Virginijine Gospe Dalloway, živi v sodobnem New Yorku in ljubi svojega prijatelja Richarda (Harris), sijajnega pesnika in pisatelja, ki umira za aidsom. Tri ženske niso povezane le s paralelami usode, podobnimi občutki in pogledi na življenje, temveč tudi z načinom spoprijemanja z življenjem, žalostjo, depresijo, pripravljenostjo na boj, pa tudi s tiho željo po končanju vsega. Zdi se, kot da bi se njihove poti nenehno prepletale, da bi se na koncu združile v presenetljiv, nadčuten trenutek skupnega spoznanja.
Dežela nomadov je v najširšem registru, še preden je film o 61-letni učiteljici in vdovi, ki živi življenje na ameriški cesti, zgodba o kapitalizmu. In kapitalizem med drugim rad daje posamezniku občutek, da ima svoje življenje pod nadzorom, da ima izbiro. Ker kot vemo, bi bilo življenje brez izbire dolgočasno in strogo. In ljudje lahko v razvitem kapitalizmu izbirajo tako rekoč o vsem. Kaj bodo delali, kaj bodo jedli, kaj bodo oblekli ter kje in kako bodo živeli. A ko ima posameznik pred sabo neskončno izbiro, ta postane pritisk in prisila. Postane to, čemur Barry Schwartz pravi tiranija izbire. A v Deželi nomadov ne gledamo filma o ljudeh, ki imajo izbiro, pač pa film o ljudeh, ki nimajo izbire. In slišimo o neki drugi tiraniji, o tiraniji dolarja. Osiveli srednji razred, ki si ne more privoščiti upokojitve, a si z delom tudi ne more privoščiti nepremičnine. In prav zaradi manka izbire ta skupnost – ne plemenska, razredna – tava po neskončnih ameriških cestah.
The adventure of Bella, a dog who embarks on an epic 400-mile journey home after she is separated from her beloved human.
Film, posnet po knjižni predlogi Camille De Angelis, je grozljivka, hkrati pa tematizira odraščanje mladega para ljudožercev Leeja in Maren, ki se v iskanju dekletovega pogrešanega očeta odpravita na potovanje po Ameriki v času Reaganove vladavine. Toda kljub njunim največjim prizadevanjem vse poti vodijo nazaj v njuno grozljivo preteklost in do končnega obračuna, ki bo odločil ali lahko njuna ljubezen preživi njuno drugačnost.
Albany, New York, Halloween, 1938. Francis Phelan and Helen Archer are bums, back in their birth city. She was a singer on the radio, he a major league pitcher. Death surrounds them: she's sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. Next day, Fran visits his wife and children and meets a grandson. He could stay, but decides it's not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.
Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them.
Kyuta, a boy living in Shibuya, and Kumatetsu, a lonesome beast from Jutengai, an imaginary world. One day, Kyuta forays into the imaginary world and, as he's looking for his way back, meets Kumatetsu who becomes his spirit guide. That encounter leads them to many adventures.
Based on the journal entries of Rachel Joy Scott, the first student killed in the Columbine High School shooting in 1999. She was the first person Harris and Klebold saw in their desire to kill as many people as possible, not because she was religious, as this movie will have you believe.
A wealthy couple from the Pacific Palisades discovers homeless young lovers have moved into their home.
Hannah and Tahir fall in love while homeless on the streets of New York. Shelter explores how they got there, and as we learn about their pasts we realize they need each other to build a future.
This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
How might your life be better with less? The popular simple-living duo The Minimalists examines the many flavors of minimalism by taking the audience inside the lives of minimalists from various walks of life.
Hector has been living on the motorways for years. His once comfortable family life has been replaced by a never-ending tour of service stations that offer him shelter, anonymity, washing facilities and food. The story follows his journey south from Scotland on his annual pilgrimage to a temporary Christmas shelter in London where he finds comfort, friendship and warmth. Over the course of his Homeric journey, Hector decides to reconnect with his long estranged past. As his previous life catches up with him, the story of how he came to be leading a marginal life begins to emerge.
A story about the life of a twenty dollar bill as it weaves in and out of the various lives of several people.
The true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ‘temporarily’ parked her van in Bennett’s London driveway and proceeded to live there for 15 years.