Şimdi bulmacanın parçalarını birleştirme zamanı! Rian Johnson imzalı 2018 yapımı Bıçaklar Çekildi'nin devam filminde Dedektif Benoit Blanc, renkli şüphelilerden oluşan yeni bir kadronun dâhil olduğu bir gizemi adım adım aydınlığa kavuşturmak için Yunanistan'a gidiyor.
Simgebilimci Profesör Robert Langdon'a bir toplantı için Paris'tedir. Gece oteline gelen bir telefonla polis tarafından Louvre müzesine çağrılır. İsa'nın Son Yemeği'nin sergilendiği salonda bir cinayet işlenmiştir. Kanının son damlasıyla cinayet mahalline şifreli ipuçları bırakan kurban, Langdon'u aynı gün telefonla aramış bulunan Müze müdüründen başkası değildir.Polis müfettişi Bezou Fache için Langdon sadece şifreleri çözecek isim değil, potansiyel katilin ta kendisidir. Fransız polisinin şifre çözme uzmanı genç ve güzel Sophie Neveu olaya karıştığında, herşey, göründüğünden çok daha karmaşık ve tarihin akışını değiştirebilecek bir sırrın etrafında düğümlenmeye başlayacaktır.Dan Brown'un histeri derecesinde çok satan kitabından uyarlanan Ron Howard imzalı filmde Langdon'u Tom Hanks'in, Fransız Müfettiş Fache'ı ise Jean Reno'nun canlandıracak olması gibi sürprizler var.
Mary Turner gets a three years prison sentence for a crime she didn't commit. Once released, she plots to get back at the man responsible for her conviction.
Paris, 1911. When Da Vinci's painting “La Gioconda” is stolen from the Louvre museum, it is suspected that the authors of the audacious theft are members of a group of bohemian artists led by painter Pablo Ruiz Picasso and poet Guillaume Apollinaire…
In this adaptation of the popular eponymous mystery novel by Keisuke Matsuoka, Paris provides the gorgeous backdrop for a grand intrigue involving the world’s most iconic artistic treasure: the Mona Lisa. Minds will be blown, puzzles will be solved, but will a 500-year-old curse be removed?
A London curator loses the Mona Lisa to a collector, who discovers it's a fake.
The world’s museums are closed. What are you missing? Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.
An animated adventure through time and space.
This landmark film uses new evidence to investigate the truth behind Mona Lisa's identity and where she lived. It decodes centuries-old documents and uses state-of-the-art technology that could unlock the long-hidden truths of history's most iconic work of art.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...
A man steals the Mona Lisa from the Louvre in 1911. His 84-year-old daughter thought he did it for patriotic reasons. A filmmaker spends more than 30 years trying to find the truth.
In a battery of photographs created with the use of mirrors, distorting lenses of his own manufacture and easel tricks, Weegee transformed the Mona Lisa into a work of modern art.
"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?